The Measurement and Prediction of Managerial Creativity

The relations between creative management performance and constructs from the cognitive ability and personality domains were explored. A new openness scale and measures of divergent thinking and general intelligence were correlated with independently obtained criterion assessments of creative-management performance for 221 managers from a variety of organizations. Divergent thinking and openness correlated significantly with key creative-management criteria. General intelligence correlated only marginally with the criteria, and when divergent thinking was statistically removed, not at all. Divergent thinking, conversely, retained its significant criterion correlations with general intelligence statistically removed. Finally, a predictive composite of both divergent thinking and openness is shown to provide solid prediction of managerial creativity and significant utility in a personnel selection context.     

Strengthening Creative Problem-Solving within Upper-Elementary Science Education

This intervention study examined the effectiveness of instructional support tailored toward two techniques (i.e., random associations and constraint identification) to strengthen children's creative problem-solving skills within upper-elementary science education. Five inquiry-based science lessons with ample opportunity for creative problem-solving (i.e., divergent and convergent thinking) were provided. Children were assigned to a condition with instructional support (n = 107) or without (n = 134). Domain-general and specific measures of divergent and convergent thinking were included, and reading comprehension as well as mathematical ability were taken into account. Repeated measures multivariate analyses of covariance revealed how all children improved in terms of domain-general convergent thinking, with a larger increase for children who performed better in mathematics. This shows a promising premise for future research focusing on the domain generality of convergent thinking and for the potential of transfer across domains. No additional improvement based on instructional support was found and children did not improve in terms of divergent thinking. The constraint identification and random associations technique might not be suitable for elementary school children, yet future research is necessary to validate such claims. Meanwhile, teachers could possibly support convergent thinking by simply providing exercises for divergent and convergent thinking.     

Divergent thinking is not a general trait: A multidomain training experiment

Twenty‐one second‐grade subjects received divergent‐thinking training and 20 matched subjects received training in solving mathematical word problems. All subjects were then given five tasks: telling stories, writing stories, writing poems, writing mathematical word problems, and making collages. Experts evaluated the creativity of each product. The divergent‐thinking groups scored significantly higher than controls on the story‐telling, story‐writing, and poetry‐writing tasks. The lack of correlations among scores on the five tasks, however, suggests that several task‐specific factors, rather than one general factor, led to observed group differences. This is consistent with previous research using subjects untrained in divergent thinking in showing that divergent thinking is not a general trait.     

Personality and intelligence as predictors of creativity

Participants completed the Big Five NEO-FFI (Costa & McCrae, 1992) as a personality measure, the Wonderlic Personnel Test (Wonderlic, 1992) as an intelligence measure, and four measures of creativity: Guilford’s (1967) unusual uses divergent thinking test; the Biographical Inventory of Creative Behaviours; a self-rated measure of creativity; and the Barron–Welsh Art Scale to measure creative judgement. Extraversion was significantly related to all four measures of creativity. Intelligence failed to add any incremental variance in predicting the creativity scores. Multiple regression indicated that up to 47% of the variance in divergent thinking scores can be accounted for by the Big Five personality traits. Personality correlates to creativity vary as a function of the creativity measure.     

Making Numbers Come to Life: Two Scoring Methods for Creativity in Aurora's Cartoon Numbers

Although creativity has long been recognized as an important aspect of mathematical thinking, both for the advancement of the field and in students' developing expertise in mathematics, assessments of student creativity in that domain have been limited in number and focus. This article presents an assessment developed for creativity that provides a score for mathematical creativity (MaC) in addition to a score for general creativity in the numeric domain, or what we might call numerical creativity (NuC). We developed different rating scales for each and then explored how each scoring method accounts for the students' mathematical/numerical and creative skills. The psychometric properties for both scoring approaches were examined. Each method was shown to reflect different relationships with other performance tests. In addition, it is proposed that MaC may provide useful insight into students' levels of adaptive expertise in mathematics, as reflected by their ability to apply mathematical knowledge (i.e., language, operations, concepts) to novel situations, representing an informative supplement to performance indicators of math achievement.     

Schizotypy and mental health amongst poets, visual artists, and mathematicians

Many researchers have found evidence of an association between creativity and the predisposition to mental illness. However, a number of questions remain unanswered. First, it is not clear whether healthy creatives have a milder loading on schizotypal traits than people who suffer serious psychopathology, or whether they have an equal loading, but other mediating characteristics. Second, most of the existing research has concentrated on artistic creativity, and the position of other creative domains is not yet clear. The present study compares schizotypy profiles using the O-LIFE inventory in a large sample of poets, artists, mathematicians, the general population, and psychiatric patients. Poets and artists have levels of unusual experiences that are higher than controls, and as high as schizophrenia patients. However, they are relatively low on the dimension of introvertive anhedonia. Mathematicians are lower than controls on unusual experiences. The results suggest that artistic creatives and psychiatric patients share a tendency to unusual ideas and experiences, but creative groups are distinguished by the absence of anhedonia and avolition. Moreover, different domains of creativity require different cognitive profiles, with poetry and art associated with divergent thinking, schizophrenia and affective disorder, and mathematics associated with convergent thinking and autism.     

Enhanced divergent thinking and creativity in musicians: a behavioral and near-infrared spectroscopy study

Empirical studies of creativity have focused on the importance of divergent thinking, which supports generating novel solutions to loosely defined problems. The present study examined creativity and frontal cortical activity in an externally-validated group of creative individuals (trained musicians) and demographically matched control participants, using behavioral tasks and near-infrared spectroscopy (NIRS). Experiment 1 examined convergent and divergent thinking with respect to intelligence and personality. Experiment 2 investigated frontal oxygenated and deoxygenated hemoglobin concentration changes during divergent thinking with NIRS. Results of Experiment 1 indicated enhanced creativity in musicians who also showed increased verbal ability and schizotypal personality but their enhanced divergent thinking remained robust after co-varying out these two factors. In Experiment 2, NIRS showed greater bilateral frontal activity in musicians during divergent thinking compared with nonmusicians. Overall, these results suggest that creative individuals are characterized by enhanced divergent thinking, which is supported by increased frontal cortical activity.     

The cognitive underpinnings of creative thought: A latent variable analysis exploring the roles of intelligence and working memory in three creative thinking processes

The field of creativity has largely focused on individual differences in divergent thinking abilities. Recently, contemporary creativity researchers have shown that intelligence and executive functions play an important role in divergent thought, opening new lines of research to examine how higher-order cognitive mechanisms may uniquely contribute to creative thinking. The present study extends previous research on the intelligence and divergent thinking link by systematically examining the relationships among intelligence, working memory, and three fundamental creative processes: associative fluency, divergent thinking, and convergent thinking. Two hundred and sixty five participants were recruited to complete a battery of tasks that assessed a range of elementary to higher-order cognitive processes related to intelligence and creativity. Results provide evidence for an associative basis in two distinct creative processes: divergent thinking and convergent thinking. Findings also supported recent work suggesting that intelligence significantly influences creative thinking. Finally, working memory played a significant role in creative thinking processes. Recasting creativity as a construct consisting of distinct higher-order cognitive processes has important implications for future approaches to studying creativity within an individual differences framework.     

Strategy Induction Enhances Creativity in Figural Divergent Thinking

Instructional effects in creative‐thinking tasks are important to understand in order to promote creative performance of individuals. In divergent‐thinking tasks, for example, instructional and strategic enhancement effects have been extensively studied for verbal tasks. However, while studies on instructional enhancement effects on creative drawing tasks exist, it is surprising that strategy enhancement in figural divergent thinking is still underresearched. In this study, we used a strategy manipulation approach to reassess the role of executive strategy implementation and the moderating role of an indicator of fluid intelligence, figural analogical reasoning, in two types of figural divergent‐thinking tasks (abstract vs. concrete). The sample comprised N = 75 high‐school students. Importantly, we found strategic enhancement effects by combining strategy instructions with a prompt to “be creative.” This combined instruction was contrasted with a standard instruction, and main effects were found for overall, concrete, and abstract creativity. Moreover, we found in a regression analysis a main effect for figural analogical reasoning on overall creativity and creativity for only the concrete object tasks. An expected interaction effect of instruction and figural analogical reasoning was not found. As another addition, the role of current motivation in figural divergent thinking was explored.     

Figural Creativity,Intelligence, And Personality In Children

To study relationships among figural creativity, intelligence, and personality, 30 measures hypothesized to be relevant were obtained for 196 children in grades 4, 5, and 6. Principal components extracted from the intercorrelations were rotated to the normalized varimax criterion. Nine factors were interpreted: A, chronological age and general information; B, personal adjustment; C, sex-typing; D, school achievement and mental ability; E, divergent production of figural implications; F, intolerance of ambiguity; G, production of figural systems; H, preference for complexity; and I, self-confidence. It was concluded that, even in children this young, separable orthogonal traits of figural divergent thinking could be delineated, and that "creativity" is not a unitary ability.     

青少年创造性发展及其脑机制研究进展

青少年时期是创造性发展的关键阶段,探明青少年创造性发展规律及其神经机制对于培养和激发个体的创新潜能具有重要意义。本文综述了青少年创造性发展及其脑机制的研究进展,分别对青少年创造性思维发展趋势、影响因素及其相应的脑机制展开综述,并在此基础上进行了展望。总体而言,青少年时期创造性思维发展呈现出两个波峰(11~13岁,15~16岁)的发展趋势;青少年创造性发展受外部原生家庭教养方式和学校教师激励以及内部情绪动机和自我管理能力的影响较大;前额叶对青少年创造性发展具有重要作用,这可能与该脑区涉及执行控制功能有关。针对青少年创造性发展的教育干预以及大脑可塑性可能成为该领域的研究热点;而大样本纵向跟踪多模态脑影像数据库的建立可为相关研究提供重要支持。     

Are intelligence and creativity really so different? : Fluid intelligence, executive processes, and strategy use in divergent thinking

Contemporary creativity research views intelligence and creativity as essentially unrelated abilities, and many studies have found only modest correlations between them. The present research, based on improved approaches to creativity assessment and latent variable modeling, proposes that fluid and executive cognition is in fact central to creative thought. In Study 1, the substantial effect of fluid intelligence (Gf) on creativity was mediated by executive switching, the number of times people switched idea categories during the divergent thinking tasks. In Study 2, half the sample was given an effective strategy for an unusual uses task. The strategy condition interacted with Gf: people high in Gf did better when given the strategy, consistent with their higher ability to maintain access to it and use it despite interference. Taken together, the findings suggest that divergent thinking is more convergent than modern creativity theories presume.     

The Relationship between Emotional Intelligence and Domain-Specific and Domain-General Creativity

The Amusement Park Theory of Creativity, which represents both domain-specific and domain-general perspectives of creativity, calls for more research on how individual difference constructs are related to creativity at all ends of the domain-specificity and general spectrum. Toward this goal, this study examined emotional intelligence (using the Emotional Intelligence Scale) in relationship with both a domain-general measure (the Abbreviated Torrance Test for Adults) and a domain-specific measure (Kaufman Domains of Creativity Scale) in a sample of 281 Chinese undergraduates. Although emotional intelligence demonstrated no relationship with divergent thinking, it did positively predict all five domains of creativity on the self-report measure (ranging from .52 to .77). These findings add to the nuanced relationship between emotional intelligence and creativity and serve as a call for more work of this nature.     

Winning the Future: An Investigation into the Creativity Capacity Across the Levels of Education in Ireland

This research investigated the creativity capacity across the levels of education in Ireland, involving 702 participants. Creative capacity was investigated through a comparative analysis of creativity quotient (CQ). A divergent thinking task comprising the how many uses activity was assessed using the criteria for determining CQ; fluency, flexibility, and product. Convergent thinking tasks comprised of graphic problems. A comparative analysis occurred between the divergent and convergent thinking activities. It is necessary that creativity is promoted throughout education systems to ensure that students maintain and develop their creative capacities into adulthood. Education systems need to foster independent thinking, creativity, and innovation. This article investigates students’ creative capacity spanning 3 levels of education. The interdisciplinary and progressive graduate attributes from the levels of education were identified and synthesized toward developing collaborative progressive creativity across the levels of education for future success. Finally, this articles outlines, in the Irish context, the uniqueness with regard to the ability to sustain creative capacity (divergent and convergent thinking) at each level of education, and the degree to which this effort is supported by administration, teachers, and a common cultural interpretation of the nature of education.     

The (b)link between creativity and dopamine: Spontaneous eye blink rates predict and dissociate divergent and convergent thinking

Human creativity has been claimed to rely on the neurotransmitter dopamine, but evidence is still sparse. We studied whether individual performance (N = 117) in divergent thinking (alternative uses task) and convergent thinking (remote association task) can be predicted by the individual spontaneous eye blink rate (EBR), a clinical marker of dopaminergic functioning. EBR predicted flexibility in divergent thinking and convergent thinking, but in different ways. The relationship with flexibility was independent of intelligence and followed an inverted U-shape function with medium EBR being associated with greatest flexibility. Convergent thinking was positively correlated with intelligence but negatively correlated with EBR, suggesting that higher dopamine levels impair convergent thinking. These findings support the claim that creativity and dopamine are related, but they also call for more conceptual differentiation with respect to the processes involved in creative performance.     

The Development of Media Sign Literacy—A Longitudinal Study With 4-Year-Old Children

In a longitudinal study, 137 children at the age of 4 years were tested for media sign literacy, intelligence, and several precursors of academically relevant skills, such as phonological awareness and preschool quantity-number competencies. The children were tested four times over two years, measuring the development of these skills every six months. The purpose of the study was to explore whether children’s level of media sign literacy helps them acquire academically relevant symbolic skills like reading and mathematical competencies. The results indicate that media sign literacy as well as intelligence predict mathematical and linguistic competencies. Longitudinal findings indicate that children with higher levels of media sign literacy also achieve higher scores in precursors of mathematical and reading and writing skills, and structural equation modeling revealed a rich interconnectedness between media sign literacy and intelligence. Media sign literacy had a direct and significant effect on mathematical competencies at measurement point 2 and indirect effects on the precursors of reading and writing skills at measurement point 4.     

Mathematical Creativity: A Combination of Domain-general Creative and Domain-specific Mathematical Skills

Creativity is an understudied topic in elementary school mathematics research. Nevertheless, we argue that creativity plays an important role in mathematics, but that more research is needed to understand this relation. Therefore, this study aimed to investigate this relation, specifically between domain-general creativity, domain-specific mathematical creativity, and mathematical ability. Measures for these constructs were administered to 342 Dutch fourth graders. In order to examine the nature of the relation between creativity and mathematics, two competing models were tested, using Structural Equation Modeling. The results indicated that models in which general creativity and mathematical ability both predict mathematical creativity fitted the data better than models in which mathematical and general creativity predict mathematical ability. This study showed that both general creativity and mathematical ability are important to think creatively in mathematics.     

The Effects of Task-Specific Divergent-Thinking Training

Although there is a growing body of evidence indicating that divergent-thinking skills may be very task specific, there has been no research testing how narrowly divergent-thinking training can be targeted. Seventy-nine seventh-grade students received training in poetry-relevant divergent-thinking skills. These subjects and a matched control group later wrote poems and stories, the creativity of which was judged by experts. There was a significantly greater impact on poetry-writing creativity. Implications for creativity theory and training programs are discussed. Numerous research reports (Baer, 1991, 1992, 1993, 1994a, 1994b, in press-a; Runco, 1987, 1989) have shown that the skills underlying creative performance may be quite task specific, and this suggests possible limitations on the potential benefits of divergent-thinking training. One response to this task-specific understanding of divergent thinking has been to design divergent-thinking training programs that include practice in a wide range of task-specific divergent-thinking skills. This approach has been shown to have a general effect of enhancing creativity in diverse domains (Baer, 1988, 1992, 1993). An alternate approach would be to target training to specific kinds of creativity; however, there has been no research investigating just how narrowly such divergent-thinking training can be targeted. The present investigation was designed to test what effect divergent-thinking training focusing on a single task would have on creative performance on that task and on a different, but closely related, task. The larger goals were (a) to help creativity researchers better understand the nature of divergent thinking as it impacts creative performance and (b) to be of practical value in helping educators design training programs better suited to specific training objectives. Seventh-grade students were trained in divergent- thinking skills hypothesized to be related to poetry — writing creativity. Following this training, trained subjects and a matched sample of untrained subjects wrote both poems and stories in their regular English classes. Poems and stories were judged for creativity by experts who did not know the subjects. It was predicted that training in poetry-relevant divergent thinking would result in a greater increase in creativity on a poetry-writing task than on a story-writing task.     

听障儿童抑制控制能力特点及其与数学基本能力的关系

采用Flanker实验范式与中国小学生数学基本能力测试量表，以97名听障儿童与97名健听儿童为被试，考察听障儿童抑制控制能力与其数学基本能力的关系。结果发现：（1）听障儿童抑制控制能力水平显著低于健听儿童；（2）听障儿童数学基本能力显著低于健听儿童；（3）听障儿童抑制控制能力与数学基本能力之间相关显著，且抑制控制能力能够预测听障儿童的逻辑思维与空间–视觉能力。     

Sex differences in expressive drawing

We examined sex differences in expressive drawings produced by 105 boys and 105 girls aged 9-15 years. The drawings were classified according to the type of expressive strategy used to depict emotion (literal, content, abstract, or any combination of these), and rated according to the complexity of that strategy. A creative/divergent thinking task (figural form) was used to assess the relationship between expressive drawing and figural creativity. As predicted, girls scored higher than boys on the expressive drawing task. Specifically, girls relied less often on literal strategies alone and were more likely to combine literal expression with metaphorical (content and abstract) expression than boys. There was a linear relationship between expressive drawing and divergent thinking scores. These results are consistent with the idea that boys and girls differ in the expressive component of emotion, and suggest that these sex differences extend to the expressive drawing domain. They also suggest that divergent thinking may be involved in the ability to draw expressively.