“Album V” |
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Institution: | 1. Departments of Biomaterials, Radboudumc, PO Box 9101, 6500 HB Nijmegen, The Netherlands;2. Departments of Nuclear Medicine, Radboudumc, PO Box 9101, 6500 HB Nijmegen, The Netherlands;1. Laboratory of Applied Mechanics and Reliability Analysis, École Polytechnique Fédérale de Lausanne, Station 9, CH-1015 Lausanne, Switzerland\n;2. Division of Bone Diseases, Department of Internal Medicine Specialities, Geneva University Hospitals and Faculty of Medicine, CH-1205 Geneva, Switzerland\n;3. Division of Fixed Prosthodontics and Biomaterials, School of Dental Medicine, University of Geneva, CH-1211 Geneva, Switzerland\n |
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Abstract: | “Album V” is an inquiry on aesthetic experience, particularly the perception of analogy in our encounter with works of art. It takes the form of a visual essay comprised of dozens of images culled from a variety of published sources, and montaged together in the form of an “image bank” or photo album. Supplementing this visual essay, “Notes on “Album V”” is a text that reflects on the questions raised by “Album V”. The text describes analogy as a play of correspondences occurring at two levels: correspondences between the sensible forms of which a given artwork is composed; and correspondences between the artwork as a whole, and the experiential forms of the embodied and situated viewer while encountering the artwork. A precondition of this play of correspondences is the “intimacy” that defines all the relationships that constitute existential being-in-the world. |
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Keywords: | Phenomenology Aesthetics Analogy Art Animism Collage |
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