| 《周易》与中国书法关系浅析 |
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| 引用本文： | 欧阳志辉.《周易》与中国书法关系浅析[J].周易研究,2010(1). |
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| 作者姓名： | 欧阳志辉 |
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| 作者单位： | 厦门大学哲学系,福建,厦门,361005 |
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| 摘 要： | 作为中国特有的一种艺术形式,中国书法集中体现了以《周易》为代表的中国传统文化的精神内核。它既是一门艺术样式,同时又是中国哲学的一种特有的表现形式,是一种哲学化的艺术。本文从三个方面分析《周易》和中国书法的内在关系:一、《周易》意象思维对汉文字起源的启示。二、《周易》的阴阳思想对中国书法的理论和实践的影响。三、《周易》的变化观念在中国书法中的体现。
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| 关 键 词： | 书法 周易 意象思维 阴阳思想 变化观念 |
On the Relationship between the Zhouyi and Chinese Calligraphy |
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| OU-YANG Zhi-hui.On the Relationship between the Zhouyi and Chinese Calligraphy[J].Studies of Zhouyi,2010(1). |
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| Authors: | OU-YANG Zhi-hui |
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| Institution: | OU-YANG Zhi-hui(Department of Philosophy,Xiamen University,Xiamen 361005,China) |
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| Abstract: | As a unique art style, Chinese calligraphy is a concentrated expression of the core spirit of traditional Chinese philosophy represented by the Zhouyi. Chinese calligraphy is a style of art which at the same time carries the calligrapher's philosophical consideration of heaven and humanity. So, it is a philosophicalized art. This paper analyses the correlation between the Zhouyi and Chinese calligraphy from three aspects: 1) inspiration of the image thinking of the Zhouyi upon the origin of Chinese characte... |
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| Keywords: | Chinese calligraphy Zhouyi image thinking Yin-yang theory concept of change |
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