| 论理学对中国“画气”说的影响 |
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| 引用本文： | 朱良志. 论理学对中国“画气”说的影响[J]. 孔子研究, 2003, 0(2) |
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| 作者姓名： | 朱良志 |
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| 作者单位： | 北京大学哲学系 教授 |
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| 摘 要： | 中国画学中以气论画的传统可以追溯到六朝时期,而真正形成具有丰富理论内涵的画气说则在两宋。画气说的形成具有明显的哲学背景,北宋以来的理学思潮是画气说形成的最直接因素。本文认为,理学对画学理论中气论的影响主要集中在三个方面,一是为画气说提供一个有机论的基础,在气机哲学的影响下,中国画学将表现对象活泼生机作为根本目的,这突出体现在山水画和花鸟画中;二是从审美体验角度,中国画学形成了“以气合气”的独特创作思想;三是在绘画艺术形式上,气势论成为一引人注意的理论,六朝时的气韵生动理论获得了新的发展。
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| 关 键 词： | 气 生气 元气 气势 画学 生命 |
The Influence of the Chinese Idealist Philosophy on the "Hua Qi-theory"(Painting Style and Rhyme) of Traditional Chinese Painting |
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| Zhu Liangzhi. The Influence of the Chinese Idealist Philosophy on the "Hua Qi-theory"(Painting Style and Rhyme) of Traditional Chinese Painting[J]. Confucius Studies, 2003, 0(2) |
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| Authors: | Zhu Liangzhi |
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| Affiliation: | Zhu Liangzhi |
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| Abstract: | This essay discusses the effects produced on the " qi - theory" about Chinese painting by Chinese Idealist Philosophy from the three different perspectives of organic view, of the relationship theory between nature and man, and of the " yin - yang theory" . To the author s opinion, Chinese painting embodies the special awareness of life typical of traditional Chinese culture. |
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| Keywords: | Chinese Idealist Philosophy Traditional Chinese Painting Landscape Painting Qi ( Painting Style and Rhyme) Life |
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