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Colour vision,evolution, and perceptual content
Authors:Evan Thompson
Institution:(1) Department of Philosophy, Boston University, 745 Commonwealth Avenue, 02215 Boston, MA
Abstract:Computational models of colour vision assume that the biological function of colour vision is to detect surface reflectance. Some philosophers invoke these models as a basis for lsquoexternalismrsquo about perceptual content (content is distal) and lsquoobjectivismrsquo about colour (colour is surface reflectance). In an earlier article (Thompson et al. 1992), I criticised the lsquocomputational objectivistrsquo position on the basis of comparative colour vision: There are fundamental differences among the colour vision of animals and these differences do not converge on the detection of any single type of environmental property. David R. Hilbert (1992) has recently defended computational objectivism against my lsquocomparative argumentrsquo; his arguments are based on the externalist approach to perceptual content originally developed by Mohan Matthen (1988) and on the computationally inspired theory of the evolutionary basis for trichromacy developed by Roger N. Shepard (1990). The present article provides a reply to Hilbert with extensive criticism of both Matthen's and Shepard's theories. I argue that the biological function of colour vision is not to detect surface reflectance, but to provide a set of perceptual categories that can apply to objects in a stable way in a variety of conditions. Comparative research indicates that both the perceptual categories and the distal stimuli will differ according to the animal and its visual ecology, therefore externalism and objectivism must be rejected.Versions of this article were read to the Department of Philosophy at the University of Chicago and to the Department of Philosophy at Boston University. I am grateful to the audiences for the discussions that ensued. I am also grateful to an anonymous referee for constructive criticism of certain points in the article. Special thanks are due to my comparative colour vision collaborators, Adrian Palacios and Francisco Varela.
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