Memory for Emotional Content from Entertainment Film: The Role of Subtitles,Sex, and Empathy

A major component of consuming filmed entertainment is vicariously experiencing emotions of the filmed characters, yet little is known about how this occurs. Four experiments assessed memory for emotions felt by characters in extended film clips from either a contemporary farce (Overboard) or a historical drama (Sense and Sensibility) under various conditions of native or foreign language in the dialogue or subtitles. English-speaking participants watched a clip and then assessed on 6-point scales specific positive and negative affect felt by characters at various points during the film. Both positive and negative affect felt by characters in both films were perceived and remembered better in conditions with English sound or subtitles than in conditions with no English channel, although, unexpectedly, spoken dialogue or subtitles alone were equally effective at conveying emotion. Overall, emotion memory from the contemporary farce was better than from the historical drama and was surprisingly good even in conditions with no English, especially for the farce. Conditions with only sound, subtitles, or pictures were very comparable to each other. Participants higher in trait fantasy empathy remembered emotions better. The components of an eventual model of emotional comprehension were sketched.