人类文明审美化道路之寓言 --以《神话研究》中普罗米修斯"神话创作"为例的述评

在布鲁门贝格看来,神话创作是推动文明发展的一个充分条件。它的充分性体现于它出于文化目的论的内在要求——征服现实绝对主义。这是神话创作性的合法性。惟其充分性而非必要性,对文明的书写只能是一种审美神话的寓言。这是神话创作的非法性。因此,审美神话的寓言式书写困境承诺斯替主义二元论而来,在西方审美思想史上绵延不绝的普罗米修斯神话创作中见出。在通盘重构西方审美思想史之后,布氏提出了令人不安的审美神话之后的解释学问题。

An Allegory of the Aesthetic Approach to Human Civilization--Review on the Case of Work on Prometheus Myth in Work on Myth

From Hans Blumengerg's perspective,work on myth is a sufficient condition on promoting development of civilization.Its sufficiency is well embodied in the internal demand of the cultural teleology,which is a kind of absolutism of conquering reality,and legitimacy of work on myth as well.It isn't its necessity but its sufficiency that formed an allegory of aesthetic myth for civilization recording,which is the illegitimacy of work on myth.Hence,the aporia of aesthetic myth writing derived from Gnosticism's dualism,which was represented in western aesthetic history of Prometheus myth writings.After reconstructing its history thoroughly,Blumengerg puts forwards a disconcerting hermeneutic question on post-aesthetic myth.