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Necessity of origins and multi-origin art
Authors:Joshua Spencer  Chris Tillman
Affiliation:1. Department of Philosophy, University of Wisconsin-Milwaukee, Milwaukee, WI, USAspence48@uwm.edu;3. Department of Philosophy, University of Manitoba, Winnipeg, MB, Canada
Abstract:The Necessity of Origins is the thesis that, necessarily, if a material object wholly originates from some particular material, then it could not have wholly originated from any significantly non-overlapping material. Several philosophers have argued for this thesis using as a premise a principle that we call ‘Single Origin Necessity’. However, we argue that Single Origin Necessity is false. So any arguments for The Necessity of Origins that rely on Single Origin Necessity are unsound. We also argue that the Necessity of Origins itself is false. Our arguments rely on a thesis in the ontology of art that we find plausible: Multi-Work Materialism. It is the thesis that works of art that have multiple concrete manifestations are co-located with those manifestations.
Keywords:Necessity of origins  metaphysics of art  multi-origin materialism  musical materialism  co-location
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