Rate and structure in memory for auditory patterns

Musically knowledgeable listeners heard auditory patterns based on sets of six (Study 1) or eight tones (Study 2). In the first study, listeners ordered events from patterns generated by hierarchical rule trees and which possessed different pitch space and time structures: one type (nondistance nested) was more likely to produce auditory streaming than the other (distance nested). In the second study, different listeners reconstructed pitch intervals contained in one of eight patterns. Patterns differed according to (1) levels of pitch distance occur), (2) levels of pattern contour (two), and (3) rate (two). In both studies, fast patterns with many large pitch distances were more difficult to recollect. Listeners in the second study telided to “telescope” pitch distances. Most difficult were those rapid sequences with large patch intervals combined into a changing contour (nondistance nested); these patterns streamed. A third study replicated effects due to differences in pitch distances observed in Study 2. Results were interpreted in terms of a rhythmic theory of memory.