首页 | 本学科首页   官方微博 | 高级检索  
     


Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance
Authors:Emily S. Cross  Luca F. Ticini
Affiliation:(1) Max Planck Institute for Human Cognitive and Brain Sciences, Stephanstra?e 1a, 04103 Leipzig, Germany;(2) Department of Social and Cultural Psychology, Radboud Universiteit Nijmegen, P. O. Box 9104, 6500 HE Nijmegen, the Netherlands;(3) Italian Society of Neuroesthetics “Semir Zeki”, Florence, Italy
Abstract:Throughout history, dance has maintained a critical presence across all human cultures, defying barriers of class, race, and status. How dance has synergistically co-evolved with humans has fueled a rich debate on the function of art and the essence of aesthetic experience, engaging numerous artists, historians, philosophers, and scientists. While dance shares many features with other art forms, one attribute unique to dance is that it is most commonly expressed with the human body. Because of this, social scientists and neuroscientists are turning to dance and dancers to help answer questions of how the brain coordinates the body to perform complex, precise, and beautiful movements. In the present paper, we discuss how recent advances in neuroscientific methods provide the tools to advance our understanding of not only the cerebral phenomena associated with dance learning and observation but also the neural underpinnings of aesthetic appreciation associated with watching dance. We suggest that future work within the fields of dance neuroscience and neuroaesthetics have the potential to provide mutual benefits to both the scientific and artistic communities.
Keywords:
本文献已被 SpringerLink 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号