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Mapping the similarity space of paintings: Image statistics and visual perception
Authors:Daniel J. Graham  Jay D. Friedenberg  Daniel N. Rockmore  David J. Field
Affiliation:1. Department of Mathematics , Dartmouth College , Hanover, NH, USA daniel.j.graham@dartmouth.edu;3. Department of Psychology , Manhattan College , Riverdale, NY, USA;4. Departments of Mathematics and of Computer Science , Dartmouth College , Hanover, NH;5. Santa Fe Institute , Santa Fe, NM, USA;6. Department of Psychology , Cornell University , Ithaca, NY, USA
Abstract:What makes two images look similar? Here we test the hypothesis that perceived similarity of artwork is related to basic image statistics to which the early visual system is attuned. In two experiments, we employ multidimensional scaling (MDS) analysis of paired-image similarity ratings from observers for paintings. Two sets of images, classified as “landscapes” and “portraits/still-life”, are tested separately. For the landscapes, we find that one of the first two MDS scales of similarity is strongly correlated with a basic greyscale image statistic, whereas the other dimension can be accounted for by a semantic variable (representation of people). For portrait/still-life, the first two MDS scales of similarity are most highly correlated with semantic variables. Linear combinations of statistical and nonstatistical features achieve improved predictive values for the first two MDS scales for both sets. The statistics that play the largest role in shaping similarity judgements in our tests are the activity fraction measure of sparseness and the log-log slope of the spatial frequency amplitude spectrum. We discuss these results in the context of scene perception and in terms of efficient coding of statistical regularities in scenes.
Keywords:Perception  Vision  Art  Natural Scenes  Statistics
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