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论马一浮"六艺之学"视野中的易学研究
引用本文:高迎刚,马龙潜. 论马一浮"六艺之学"视野中的易学研究[J]. 周易研究, 2005, 0(2): 75-80
作者姓名:高迎刚  马龙潜
作者单位:山东大学,文学与新闻传播学院,山东,济南,250100
摘    要:作为现代新儒家早期思想的代表人物,马一浮先生提出了以儒家"六艺之学"统摄天下诸学的主张.这是马先生的一个创举,体现着他对传统儒学有意识地改造和发扬.作为"六艺之学"的一个分支,易学研究在马一浮先生的学术研究中无疑具有着"本体论"地位和作用,它所体现的"心之本体",不仅是"六艺"所自出的本原,也是"六艺之学"共同的目的和归宿.

关 键 词:马一浮  六艺之学  易学  本体
文章编号:1003-3882(2005)02-0075-06
修稿时间:2004-06-18

MA Yi-fu's Yi studies from the vision of the "Six Classics"
GAO Ying-gang,MA Long-qian. MA Yi-fu's Yi studies from the vision of the "Six Classics"[J]. Studies of Zhouyi, 2005, 0(2): 75-80
Authors:GAO Ying-gang  MA Long-qian
Abstract:As an early representative of the modern neo-Confucianists, Mr. MA Yi-fu sticks to governing all other schools by the "Six Confucian Classics". This was Mr. MA's creative thinking and embodies his intentional reform and expansion to traditional Confucianism. As a branch of the Six Classics studies, studies of the Yi undoubtedly occupy a position and exert a function of "ontology" in MA's academic research. The "noumenon of mind" embodied by the Yi-ology is not only the origin from which the Six Classics depart, but also the common goal and destination for the Six Classics to reach.
Keywords:MA Yi-fu  the Six Classics Studies  Yi studies  noumenon  
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