THE ELUSIVENESS OF JEWISHNESS: JEWS IN VIENNESE POPULAR CULTURE AROUND 1900

The participation of Jews in Viennese popular culture in the fin-de-siècle period has to date been scarcely investigated. This essay sheds light on one aspect of the vast field of popular culture, the lively scene of Jewish Volkssänger. They formed ensembles of musicians who played Viennese songs (Wienerlieder) and performed short theatrical pieces. The central questions posed in the article concern the Jewishness of the Volkssänger: how is it expressed and can it be determined, what distinguishes Jewish from non-Jewish Volkssänger, does Jewishness play a role in the formers' performances? In order to answer these questions, several theatre pieces of various Jewish Volkssänger ensembles are examined using a new analytical tool, Jewish difference. Through its application, it is possible to show that the theatre pieces performed by the Jewish Volkssänger represented Jews without a fixed, static self-understanding. Their Jewishness was depicted as fluid, diverse, determinable only at certain moments and in specific contexts. The distinction between Jews and non-Jews was blurred. A glance at the biographies of the Jewish Volkssänger revealed that their lives were very much like those of the Jewish characters in the plays: they readily intermingled with non-Jews, and their Jewishness was only one––and an always changing––facet of their multiple identities.