BEYOND THE PALE: Jewish identity,radical politics and feminist art in the United States |
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| Authors: | Gail Levin |
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| Institution: | 1. Department of Humanities , University of Gloucestershire , UK;2. Department of Historical Studies , University of Bristol , UK;3. Department of Hebrew and Jewish Studies , University College London , UK;4. History Department Royal Holloway , University of London , UK;5. General History Department , Bar Ilan University , Israel |
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| Abstract: | Historians have not yet recognized how the cultural legacy of East European Jews helped change the status of women artists in the United States. Immigrant Jewish women in general reacted to institutionalized patriarchy with a desire for social change and the will to act to that end. Jewish women who were artists had professional reasons to embrace feminism, given women's virtual exclusion from professional notice. This article focuses on two pioneering feminist artists — Judy Chicago and Miriam Schapiro — and demonstrates the importance of their Jewish heritage, showing how and why they set in motion important changes in the tumultuous 1970s that continue to resonate in the art world today. An unusually large number of American feminist artists of the 1970s were Jewish. Their heritage resembles that of the Jewish feminist activist Betty Friedan, whose father emigrated from Eastern Europe. Once we examine the linked roles played by Jewish identity and leftist politics in the formation of the feminist art movement in the United States, it becomes evident that activism in the community of Jewish immigrants from Eastern Europe and the values that they passed on to the next generations made a significant contribution to the success of this movement. |
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