Heidegger and 'The Way of Art:' the empty origin and contemporary abstraction |
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Authors: | Fóti Véronique M. |
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Affiliation: | (1) Department of Philosophy, The Pennsylvania State University, 240 Sparks Building, University Park, PA 16802-5201, USA |
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Abstract: | With a focus on the question of visuality in Heidegger's sustained involvement with Daoist and Zen thought, this paper discusses the interchange between Heidegger and Hisamatsu at a 1958 colloquium. In light of the key concerns – visuality, art, and the empty origin of manifestation – it interrogates three texts,The Origin of the Work of Art,Parmenides, andArt and Space,concerning visuality, the play of the glance, writing, space and place, and the Graeco-Asian though of phainesthai. In conclusion, it addresses the opening for a philosophical consideration of abstract painting that these analyses provide. |
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