Aesthetics,information and meaning

Aesthetics has been defined relative to objective and subjective values; its historical and cultural world views are referenced. The author's view of beauty as communication is also introduced, where chance and necessity, the two antithetical realities produce the informa‐tion processes of modern time. That is, “difference” is associated with chance, the irrational, the spontaneous and the individual aspect of reality as opposed to necessity, the rational, the formal, and the universal aspects of things. Information is introduced as, the origin, as well as essence, of life. It is what produces information and is the only agent which produces both matter and psyche. Order and disorder, and the laws of “opposites” are considered building blocks of identity and difference and information. Information and Communication as an interconnecting agent are also considered a bridge between Eastern and Western philosophy, i.e., in its deconstruction of the particular into a web or field of energies in the West, and in Eastern thought in its becoming one with Nirvana or Brahman, the Sufi or the Tao, the ultimate one and all. Because goodness and truth under the influence of reason and science had failed, Eastern philosophy as an alternative to Western models is recommended. It is suggested that all that is left objectively is beauty, thus reason as basic is giving way to rules of beauty. And its principles are capable of describing man's evolution and his culture, as well as his aesthetic experience, which is nothing but information processes and communication. In conclusion, design as aesthetic communication is introduced as a model to reflect the above principles.