Kant's Two Perspectives on the Theological Task

Proponents of 'the poetic hypothesis>> in Kant interpretation assume that the third Critique provides the necessary and sufficient conditions for understanding the nature of all theological discourse. This article opens with the assumption – taken from one of Kant's last works – that philosophy and theology must always remain in conflict. Then, by way of an abductive comparison of Gordon Kaufman and Adina Davidovich, I demonstrate that the poetic hypothesis leads to religious compromises that contradict this assumption. To conclude, I argue for an understanding of the motif of holism that is better able to uphold Kant's notion of conflict.