REJOINDER: Picasso's Guernica Creativity as a Darwinian Process: Definitions,Clarifications, Misconceptions,and Applications

The author responds to four commentaries on Simonton (this issue). The response deals with two sets of issues. First are criticisms of the Darwinian theory of creativity, especially as applied to Picasso's sketches for the Guernica. These criticisms range from the presumed role of associative processes to the essential nature of any Darwinian model. The second set of issues pertains to diverse methodological objections with respect to measurement and data analysis. The author responds to each and every point. The author concludes not only that Picasso's creative process is best described as Darwinian, but also that the Darwinian theory of creativity has been notably strengthened by the current exchange.