Josephine Baker: psychoanalysis and the colonial fetish

This paper traces an intricate path connecting racial fantasy, aesthetic judgment, and the larger cultural problem of inter-subjective recognition. In particular, the author examines the theme of fetishism, both sexual and racial, in a Western historical, colonial context, in order to unravel a set of disturbances that cohere around the racial fetish then and now. Taking the figure of an entertainment icon of the 1920s, Josephine Baker, as a case study, the author shows how the imagination of the colonizing white male was both articulated and disrupted by Baker as a ready-made representation of the cultural, racial, and sexual other.