Animation and the location of beauty

This paper discusses the development of animation and imaginative activity in a case in which there has been previous severe deprivation. Clinical material from work with an 8-year-old boy will illustrate how omnipotent behaviour, which has the function of keeping fear and feeling from consciousness, can give way to imaginative interaction with the environment. I suggest that, when internal objects have been frozen, it may be safer for the child to see animation outside the room. This may be a necessary stage before a child can begin to play with the therapist inside the room. I am using the term 'animation' in the sense of new imaginative play that has been stimulated by an apprehension of beauty in nature. This is contrasted with driven manic defending against awareness of self and others.