| Abstract: | A series of experiments is reported that investigated the pattern of acoustic information specifying place and manner of stop consonants in medial position after s]. In both production and perception, information for stop place includes the spectrum of the fricative at offset, the duration of the silent closure interval, the spectral relationship between the frequency of the stop release burst and the following periodically excited formants, and the spectral and temporal characteristics of the first formant transition. Similarly, the information for stop manner includes the duration of silent closure, the frequency of the first formant at the release, the magnitude of the first formant transition, and the proximity of the second and third formants at release. A relationship was shown to exist in perception between the spectral characteristics of the first formant and the duration of the silent closure required to hear a stop. This appears to reciprocate the covariation of these parameters in production across different places of articulation and different vocalic contexts. The existence of perceptual sensitivity to a wide range of the acoustic consequences of production questions the efficacy of accounts of speech perception in terms of the fractionation of the signal into elemental acoustic cues, which are then integrated to yield a phonetic percept. It is argued that it is inappropriate to ascribe a psychological status to cues whose only reality is their operational role as physical parameters whose manipulation can change the phenotic interpretation of a signal. It is suggested that the metric of the information for phonetic perception cannot be that of the cues; rather, a metric should be sought in which acoustic and articulatory dynamics are isomorphic. |
