Inwardizing Rilke's dog of ‘divine inseeing’ into itself

The article explores a text of the poet R.M. Rilke in the manner of Psychology as the Discipline of Interiority (PDI). PDI, developed mainly in the writings of Wolfgang Giegerich, refers to the ‘speculative turn’ within analytical psychology. The speculative turn involves an interpretative stance that strictly adheres to Jung's seminal insight into psychology's lack of an empirically‐objective, Archimedean vantage‐point outside of or beyond the psyche. The paper aims to demonstrate that, for all its beauty, the account of interiority that is celebrated in the passage from Rilke is self‐contradictory. This is due to its being naively conceived as the undialectical opposite of an external viewpoint that it is unable to overcome. Whereas Rilke merely imagines interiority by means of the visual image of his getting inside a dog as one passes by, the interpretative approach taken in this article thinks interiority by reflecting Rilke's text into itself in the speculative manner that is provided for and required by Jung's insight into psychology's lack of an Archimedean vantage‐point. If we interpret the text in this way, an understanding of interiority that is truly in accord with its concept is opened up and a main aspect of psychology as the discipline of interiority is performatively demonstrated.