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Drag Gender: Experiences of Gender for Gay and Queer Men who Perform Drag
Authors:Heidi M. Levitt  Francisco I. Surace  Emily E. Wheeler  Erik Maki  Darcy Alcántara  Melanie Cadet  Steven Cullipher  Sheila Desai  Gabriel Garza Sada  John Hite  Elena Kosterina  Sarah Krill  Charles Lui  Emily Manove  Ryan J. Martin  Courtney Ngai
Affiliation:1.Department of Psychology,University of Massachusetts Boston,Boston,USA;2.Counseling and School Psychology Department,University of Massachusetts Boston,Boston,USA;3.Chemistry Department,University of Massachusetts Boston,Boston,USA
Abstract:The present study explored the experience and understanding of gender for gay and queer men who perform drag. It is part of a 20-year program of research focused on how LGBTQ gender identities arise, why they coalesce, and how they are enacted within their social contexts. Interviewers on this topic involving 18 participants were subjected to a grounded theory analysis. Drag genders were tied to common experiences of overcoming social messages that maligned femininity within men, an appreciation of performance arts, and a desire to use social power to confront issues of sexism, genderism, and/or heterosexism. At the same time, participants reported differences in experiencing gender as binary or fluid and in whether they experienced their gender as shifting when engaged in performance. The study contributes to the program of research on LGBTQ genders by examining how drag gender is both essential and constructed, and how it resist sets of oppressive values and is eroticized. It examines how gendered communication functions when performed for audiences and how the social position of these men is both elevated and stigmatized within LGBTQ community. Drag gender’s multiple meanings are credited to its position between gay and transgender politics within this socially transformative moment in time.
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