For all we Know: Clinical Creativity as a Dialectic Between Knowledge and Unknownness

Musical thought is an essential instrument for grasping the most secret stirrings of the human heart. Contemporary psychoanalysis has been exploring implicit communication for some time now; I believe that the way in which music communicates is remarkably connected with these matters issues. I speak of musical thought to indicate the ways in which music thinks. In this article I offer a contribution in which I could dare to use musical thought as an essential element of the clinical relationship between my patient Ernesto and me.