No Other Life: death and Catholicism in the novels of Brian Moore

There is a critical consensus (Dahlie, 1969, 1981; Flood, 1974; O'Donoghue, 1990; Sullivan, 1996) that one theme predominates in Brian Moore's fiction: the literary portrayal of Roman Catholicism. Yet over the past five decades, Moore's attitude to Catholicism, now more ambivalent than openly antagonistic, has changed and developed just as Roman Catholicism, especially post‐Vatican II, has changed and developed. Refining such a literary consensus, this article argues that the literary examination of a metaphysics and theology of death has been central to Moore's portrayal of Catholicism. A critical examination will be provided here of the portrayal of death in a representative sample of Brian Moore's novels before a more detailed focus upon the novel from which this article takes its main title, No Other Life (1993). By way of open conclusion, literary case study will be highlighted as a means of engaging in that interdisciplinary realm where literature and theology examine similar themes. In particular, such interdisciplinary research will be contextualised as part of an international literary‐theological programme from which one volume has arisen and which the present author is currently editing (Gearon, forthcoming).