Integration of melody and text in memory for songs |
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Authors: | Mary Louise Serafine Robert G. Crowder Bruno H. Repp |
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Affiliation: | Yale University, USA;Haskins Laboratories, USA |
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Abstract: | Two experiments examined whether the memory representation for songs consists of independent or integrated components (melody and text). Subjects heard a serial presentation of excerpts from largely unfamiliar folksongs, followed by a recognition test. The test required subjects to recognize songs, melodies, or texts and consisted of five types of items: (a) exact songs heard in the presentation; (b) new songs; (c) old tunes with new words; (d) new tunes with old words; and (e) old tunes with old words of a different song from the same presentation (‘mismatch songs’). Experiment 1 supported the integration hypothesis: Subjects' recognition of components was higher in exact songs (a) than in songs with familiar but mismatched components (e). Melody recognition, in particular, was near chance unless the original words were present. Experiment 2 showed that this integration of melody and text occurred also across different performance renditions of a song and that it could not be eliminated by voluntary attention to the melody. |
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Keywords: | Reprint requests should be sent to Mary Louise Serafine who is now at the Department of Psychology Vassar College Poughkeepsie New York 12601 U.S.A. |
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