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Novel poetic protest: What Your Heart is a Muscle the Size of a Fist offers geographers writing to evoke rather than convey
Institution:1. Zhengzhou Information Science and Technology Institute, Zhengzhou, Henan 450001, China;2. State Key Laboratory of Mathematical Engineering and Advanced Computing, Zhengzhou, Henan 450001, China;3. State Key Laboratory of Information Security, Institute of Information Engineering, Chinese Academy of Sciences, Beijing 100093, China;1. Academic Writing Unit, School of Media, Film and Journalism, Monash University, Room B4.29, Level 4, Building B, Caulfield Campus, 900 Dandenong Road, Caulfield East, VIC, 3145, Australia;2. Human Geography, School of Environmental and Life Sciences, Faculty of Science, The University of Newcastle (UON), University Drive, Callaghan, NSW, 2308, Australia;1. Facultad de Ciencias de la Salud, Universitat Jaume I, Castellón de la Plana, Spain;2. International Board Certified Lactation Consultant (IBCLC), Spain;1. Servicio de Salud de las Islas Baleares, Palma, Balearic Islands, Spain;2. Facultad de Enfermería y Fisioterapia, Universidad de las Islas Baleares, Balearic Islands, Spain;3. Grupo CurES, Instituto de Investigación Sanitaria de las Islas Baleares (IdISIBa), Palma, Balearic Islands, Spain;4. Unidad de Hospitalización 4B, Hospital de Manacor, Manacor, Mallorca, Balearic Islands, Spain
Abstract:This paper is a call to geographers, a call for evocative understandings of complicated places and times, for writing practices that foreground feelings, embrace experiential considerations, and privilege embodied relationships with text during periods of struggle, protest, and resistance. I anchor this call in a formalist reading Sunil Yapa's Your Heart is a Muscle the Size of a Fist. Drawing from poetic impulses, my formalist reading of the novel includes attention to the novels' grammatical structures and lineated assemblages: I extend my reading of the novel into a call for geographers to experiment and emote in our writing practices, whatever those practices might be. The paper also draws on poet Don Paterson's writing about textual work done by the lyrical and the lyric. Paterson suggests poetry offers opportunities to make writing an ingestible project, one with the potential of being physically manifest in a reader. In this paper, I suggest there is much potential for social change if geographers consider emotionally evocative writing and knowledge as opposed to information being conveyed in expected forms. Ultimately, and circling back to Yapa, I call to geographers to consider our writing as activist work, with the emotional potential of making a new and better world.
Keywords:Creative writing  Evocation  Formalist reading  Poetics  Emotive writing  Novels
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