Constructing an Aesthetic Weltanschauung: Freud,James, and Ricoeur

I will investigate in this paper what kind of Weltanschauung Freud suggests. Although Freud argues in the lecture XXXV, The Question of a Weltanschauung (1933), that psychoanalysis is incapable of creating a Weltanschauung of its own, I think that he has a certain Weltanschauung, i.e., the aesthetic worldview, which involves his scientific, psychoanalytic, and artistic principles. Furthermore, I will explicate that Freud's aesthetic worldview is ultimately related to the Weltanschauungen of William James and Paul Ricoeur. I will focus particularly on their terms, sympathetic and poetic, which are the crucial elements that constitute the aesthetic Weltanschauung. Finally, I will briefly present my intention in drawing this aesthetic Weltanschauung. I will conclude that throughout the aesthetic Weltanschauung we may accept that everything is precious, pertinent, and worthy to be viewed as a part and a whole, and as home (Heim).