The Image of Mary

Abstract

This article explores the significance of the shifting styles of image by which Mary has been presented in the history of Christian devotion. It begins with an account of how power became attached to static forms of her iconography and their association with a miraculous character as not made by human hand. In Western devotion the impact of artistic imagination on this convention opened the way for exploration of more creative modes of interpretation that offer other expressions of ambiguity, but that are also capable of manipulation. The ambiguity revealed by artistic imagination and manipulated in the Counter-Reformation is explored as a subversion of social and ecclesiastical structures of power in nineteenth-century Europe. Finally, images of human identity that belong to the nature of what is assumed from Mary in the incarnation are considered in questions about how her image might function disturbingly today as a source of power.