Verkehrte Liebe

On the basis of Hanekes film The piano player (2001) from the novel by Elfriede Jelinek, the following questions will be examined: 1. Which forms of violence and sadism under the pretext of love can dominate the relationship between mother and daughter? What effects do these more or less visible violent acts have on the development of the adolescent daughter? 3. How can these experiences be repeated in her life as an adult woman and find expression in perverse reenactments?