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中国传统美学的当代意义
引用本文:罗筠筠. 中国传统美学的当代意义[J]. 现代哲学, 2004, 0(1): 116-123
作者姓名:罗筠筠
作者单位:中山大学哲学系,广东,广州,510275
摘    要:本文分析了中国古典关学中一些颇具现代性(甚至后现代性)的思想传统,并与西方现代派和后现代派的观点进行比较,试图说明某些西方现代文艺思潮中表现出来的现代意识和审美特点,在中国古人那里就已经存在了。换言之,西方现代文艺理论与实践中的许多新尝试很接近中国传统关学中的思考。这里主要讨论几方面:1.对相关性的重视;2.轻视模仿再现,重视创新与表现;3.流动的空间与时间意识。

关 键 词:关学 相关性 意境
文章编号:1000-7600(2004)01-0116-08

Modern Consciousness within Chinese Traditional Aesthetics
Luo Yunyun. Modern Consciousness within Chinese Traditional Aesthetics[J]. Modern Philosophy, 2004, 0(1): 116-123
Authors:Luo Yunyun
Abstract:This thesis analyzed the some provided with modernity (so much as post - modernity) thoughts and compared with the viewpoints of Western modernism and post - modernism, tried to explain some modern consciousness and aesthetic characteristics represented by Western modern literature and artistic current of thought were existed in Chinese traditional aesthetic theories. In other words, many new attempts within Western modern literature and artistic theories and practices were very close to the thoughts of Chinese aesthetics. What this thesis analyzed modern consciousness within Chinese traditional aesthetics theories have below the performance of several aspects: 1. attach importance to relativity; 2. make light of imitation and reappearance, think much of originality and expressive force; 3. ambulatory consciousness about space and time.
Keywords:aesthetics  relativity  vitality artistic conception  
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