| Abstract: | The present study tested the hypothesis of a curvilinear relationship between preference for complexity and each of two components of creativity—originality and fluency—for four complexity levels within the upper half of the complexity distribution The hypothesis was based on an interpretation of extremely high complexity levels as emphasizing rejection of conventionality more than fondness for novelty and tolerance of ambiguity The results not only supported the main hypothesis of a curvilinear relationship but also suggested that originality and fluency declined beyond the second level of complexity studied. Question is cast on the assumption that increasing complexity is necessarily productive of increasing creativity Lastly, the results were interpreted as also being consistent with Berlyne's (1967) hypothesis that moderate increases in arousal are most conducive to learning |
