Just Call Me by My Name: Worship Music in Asian Ecumenism

This article examines the historical development of worship music in Asian ecumenism by examining three ecumenical hymnals from the 1960s to the present. It identifies key personalities and institutions involved in the formation of Asian worship music. The essay argues that the maturation of Asian Christian spirituality via music making requires the church to hold in tension both its missional heritage and local cultural practices. It proposes the development of robust theo‐liturgical scholarship as being critical in helping the church mature.