INAUGURATING POSTCRITICAL PHILOSOPHY: A POLANYIAN MEDITATION ON CREATION AND CONVERSION IN AUGUSTINE'S CONFESSIONS

Abstract. Michael Polanyi names Augustine as inaugurates of his "postcritical"philosophy. To understand what this means by exploring creation in the Confessions will clarify complex problems in Augustine and articulate theological implications in Polanyi. Specifically, it will show why an autobiographical account of conversion ends speaking of creation; how creation can thus be understood as "personal" language; how creation can be recovered in a time preoccupied with conversion; how conversion and creation are linked with incarnation, hermeneutics, and confessional rhetoric; and it will suggest a contemporary use of creation language that connects the scientific and the religious.     

Psychopathology in anxiety disorders

Complaints of anxiety, often meetingDiagnostic and Statistical Manual of Mental Disorders, 3rd ed. (DSM-III), criteria for anxiety disorder, are among the most common problems presenting to health practitioners. In spite of the frequency of anxiety and anxiety disorders, little is known about the basic psychopathology of these conditions that would lead to the development of more efficient and effective treatments and possible preventive efforts. Recently, there has been an increase in research on the psychopathology of anxiety disorders from biological, psychological, and social perspectives. The National Institute of Mental Health's Clinical Research Branch sponsored a 2-day workshop of investigators representing diverse research approaches to discuss emerging issues and research practices within the anxiety disorders. Discussions centered on a review of the general areas of classification, phenomenology, and etiology. A selective summary of this workshop is presented along with recommendations for specific research directions.     

Awakening from Descartes' nightmare: On the love of ambiguity in phenomenological approaches to education

This paper is an exploration of the Cartesian paradigms of clarity and univocity and how these inform contemporary educational theory and practice. Phenomenology is discussed as a way of disrupting Descartes' visions of clarity and distinctness as paradigms of knowledge and as a return of inquiry to life as it is actually lived. Analogical discourse is examined as a way of giving a voice to this sort of inquiry. Heidegger's notions of inquiry as obedience and thanksgiving are discussed.     

中国神话中的具身心理学思想探索

西方“具身认知”心理学与赋存在中国文化里的以“天人合一”为核心的“体知”心理学思想息息相通, 而中国文化又有其独异于西方文化的“身体”智慧。文化的源头实为神话。追根溯源, 本文主要从具身认知的视阈中将中西方神话中“身体”的角色两相比照, 首先从本体论维度以现象学诠释的方法来描述神话的身体母体是如何生成的, 并以天地开辟神话、万物肇始神话和人类起源神话为例揭示中国“身体”的本体论特色—— 一元论; 其次再从空间维度以概念隐喻的理论来剖析神话的身体现象学场域是如何延展的, 并从物我同一角度、天人交感角度和人神相通角度来彰显中国“身体”的空间维度特色——气论; 最后再从时间维度以社会建构理论来解构神话的身体是如何在时间场域中流变的; 并从社会、文化和历史三个层面来表达中国“身体”的时间维度特色——易论。通过从中国神话故事中挖掘中国传统文化中独有的“具身智慧”, 以期为建立中国人自己的科学心理学起抛砖引玉之用。     

试论存在主义对人本主义心理学的影响

从人本主义心理学产生发展的背景,研究命题与体系式思想．研究方法及在咨询和治疗上的应用四个方面来探讨存在主义对人本主义心理学的积极影响。主要关注存在主义作为一种哲学思潮在对人性,人的生存方式和独特性的看法上给予人本主义心理学的启示．以及存在主义的创新的本体论对于人本主义心理学在跳出传统心理学模式走上“第三条道路”上的推动作用。     

On the function of weak phantasmata in perception: Phenomenological,psychological and neurological clues for the transcendental function of imagination in perception

Weak phantasmata have a decisive and specifically transcendental function in our everyday perception. This paper provides several different arguments for this claim based on evidence from both empirical psychology and phenomenology.I would like to express my gratitude to Bill McKenna for his help with the English text and his critical remarks. This paper was presented in the Cork Roundtable for Philosophy in March 2003, at University College, Cork, and I would like to thank Julia Jansen, Tony O’Connor and the other participants for their constructive critique.     

Longing,Dread and Care: Spengler’s Account of the Existential Structure of Human Experience

ABSTRACT

In The Decline of the West Spengler puts forward a type of philosophical anthropology, an account of the structures of human experiential consciousness and a method of “physiognomic” analysis, which I argue has dimensions that can be understood as akin to existential phenomenology. Humanity, for Spengler, is witness to the creative flux of “Becoming” and constructs a world of phenomena bounded by death, underpinned by the two prime feelings of dread and longing and structured by the two forms of Destiny (Time) and Direction (Space). Human existence, Spengler argues, is future-directed and open in the sense that there is a certain degree of freedom in the ways in which humanity can actualize its existential possibilities. In the course of elaborating the existential implications of this future-orientation, Spengler introduces the concept of care (Sorge), the fundamental experiential structure.     

A Dance with Many Secrets: The Experience of Emotional Harm from the Perspective of Past Professional Female Ballet Dancers in Canada

Originating in the Italian and French courts, ballet is an age-old art that fuses aesthetics and athleticism (Wulff, 2008). Despite changing times, ballet masters and mistresses tenaciously hold on to a sense of deep traditionalism. However, some scholars suggest that unwavering devotion to the art may conceal troubled embodied relations and oppressive practices (Gvion, 2008). In this study, we drew on the phenomenological research tradition in an effort to further examine the power relations that play out on the body in the world of Canadian professional ballet (Papaefstathiou, Rhind, & Brakenridge, 2013). Twenty past professional female ballet dancers from across Canada participated in this study. Our dedicated dancers were relentless. They sacrificed body and mind in the pursuit of excellence in a broader cultural context that expected nothing less. The dancers normalized harmful emotional experiences, inappropriate sexual transgressions, and chronic injury (Gvion, 2008). They also described experiences of neglect—and feeling replaceable—after the onset of injury. We have attempted to theorize our findings within the context of embodiment literature and the work of gender theorists. Emboldened by our dancers’ voices, we have shed light—and broken secrets—regarding some of the harmful practices that still characterize professional ballet in Canada. We hope that our work might further continue efforts to democratize power imbalances in professional ballet and ultimately enhance holistic dancer development and health.