Manic temporality

Time-consciousness has long been a focus of research in phenomenology and phenomenological psychology. We advance and extend this tradition of research by focusing on the character of temporal experience under conditions of mania. Symptom scales and diagnostic criteria for mania are peppered with temporally inflected language: increased rate of speech, racing thoughts, flight-of-ideas, hyperactivity. But what is the underlying structure of temporal experience in manic episodes? We tackle this question using a strategically hybrid approach. We recover and reconstruct three hypotheses regarding manic temporality that were advanced and modeled by two pioneers of clinical phenomenology: Eugène Minkowski (1885–1972) and Ludwig Binswanger (1881–1966). We then test, critique, and refine these hypotheses using heterophenomenological methods in an interview-based study of persons with a history of bipolar and a current diagnosis of acute mania. Our conclusions support a central hypothesis due to Minkowski and Binswanger, namely, that disturbance in the formal structure of temporal experience is a core feature of mania. We argue that a suitably refined variant of Binswanger’s model of disturbance in manic protention helps to explain a striking pattern of impaired insight and impaired reasoning in manic episodes.     

On the Petite Phrase of Proust and the Experience of Empathy: Exploring the Rhythmical Structure of Music

How does music (as Proust tells us) have the power to speak to us as if it were a living being, endowed with subjectivity? Do we empathize with music? Ordinarily we consider our perception of subjects as subjects, through empathy, to pertain to flesh-and-blood persons; this article asks how it is possible for us to empathize with the ordered movement of aural sensations in time. Drawing upon Edith Stein’s On the Problem of Empathy together with Edmund Husserl’s work on Querintentionalität and Längsintentionalität in Husserliana X, I show, first of all, how the temporal structure of inner time-consciousness pertains to the ordered structure of musical expression; secondly, I investigate how the other as other is given with respect to retention and protention. My claim is that musical expression, insofar as it partakes of the potentiality of protention in particular, is creative and opens the possibility for that which is other-than-myself.     

Husserl,Protention, and the Phenomenology of the Unexpected

Although there has been a great deal said about Husserl’s account of time-consciousness, little attention has been specifically paid to future-consciousness. This article gives an Husserlian account of future-consciousness. It begins by arguing that protention should be understood as a future-directed version of retention and so that future-consciousness should be understood as perception. This account is developed in two ways: (1) the future need not be determinately given in protention and so future-consciousness can be vague; (2) cases when the future turns out to be other than we perceived it to be (cases when the unexpected happens) can be understood as temporal illusions. This account of future-consciousness both illuminates some of Husserl’s more obscure remarks on time-consciousness and (more importantly) provides a means of understanding an often neglected phenomenon of independent philosophical interest: our awareness of the future.     

How long is “now”? Phenomenology and the specious present

The duration of now is shown to be important not only for an understanding of how conscious beings sense duration, but also for the validity of the phenomenological enterprise as Husserl conceived it. If now is too short, experiences can not be described before they become memories, which can be considered to be transcendent rather than immanent phenomena and therefore inadmissible as phenomenological data. Evidence concerning (a) the objective duration of sensations in various sensory modalities, (b) the time necessary for sensations to enter consciousness and (c) the variability in the subjective sense of time's passing under different conditions is used to conclude that the duration of now can actually vary under normal conditions from about 10 ms to several seconds and in extreme cases up to several hours. Thus the immanent moment can be long enough to encompass a report of the contents of consciousness, making phenomenology a viable project. A further speculation from the evidence described is that consciousness takes discrete samples of the external world, at a rate inversely proportional to the duration of the now moment.     

The Anticipation of the Present: Phenomenology of déjà vu

This paper analyses the déjà-vu experience in order to deepen the understanding of the complex nature of time-consciousness from a phenomenological point of view. The paper is divided into two sections: the first section focuses on Bergson’s research on déjà vu in order to assess the validity of his position; the second section describes a specific form of déjà-vu experience from a phenomenological perspective. This investigation will question the widespread assumption according to which déjà vu should be conceived as a disturbance of the memory of the past. On the contrary, the author shows that the disturbance primarily pertains to the dimension of the future. In order to understand this phenomenon, it is necessary to focus on the coherent deformation of the immediate expectation of the imminent future.