流行音乐对中学生的影响及疏导

流行音乐以其独特的旋律、强烈的时代感吸引着一代代中学生,并随风潜入,润物无声地影响着他们的成长和发展。流行音乐已融入中学生的日常生活,也必定在潜移默化中影响着他们的观念和行为方式。因此,必须重视流行音乐对中学生的影响,并采取积极有效的措施发挥流行音乐的正功能,为中学生的成长和发展营造一个良好的文化氛围。     

La percepción de la conducta agresiva: Un estudio taxonómico de las diferencias inter e intraculturales

Resumen

El presente artículo tiene corno principal objetivo ser una alternativa a las tradicionales clasificaciones teóricas de la agresión e, incluso, a los estudios taxonómicos empíricos más recientes. Usar estímulos no representativos, ofrecer indicios sobre las dimensiones de juicios preseleccionados, etc. son algunos de los inconvenientes que no permiten considerar a estas dimensiones perceptuales de la agresión como fiables. En este trabajo se pretenden superar estas y otras críticas con el fin de proporcionar las verdaderas dimensiones que subyacen a la percepción social de los episodios agresivos cotidianos. El Escalamiento Multidimensional (Modelo IÑDSCAL) fue seleccionado como el análisis más apropiado para proponer una taxonomía empírica adecuada y comprobar hasta qué punto una misma taxonomía es compartida por diferentes subculturas (Universitaria y Reclusa). El análisis de los datos nos permitió concluir acerca de la existencia de un dominio psicológico en 4 dimensiones para percibir un conjunto de estímulos agresivos, de la existencia de ciertas diferencias entre ambas submuestras y, por último, de la homogeneidad existente dentro de una misma muestra, independientemente de algunas variables de personalidad previamente seleccionadas.     

Callous-unemotional traits,borderline personality,and self-injury in gothic subculture

The present study investigates individual characteristics of a sample of young adults from gothic subculture, in terms of personality traits (i.e., borderline personality and callous-unemotional traits), prevalence and functions of non-suicidal self-injury behaviours (i.e., internal emotion regulation, external emotion regulation, social influence, and sensation seeking). Fifty-one young adults (28 girls and 23 boys, mean age = 26.20, SD = 4.61) were recruited at a gothic meeting in Italy. They completed self-report questionnaires related to self-injury behaviours and self-injury functions, along with measures of borderline personality disorder and callous-unemotional traits. The results indicated that nearly 65% of the participants reported having committed self-injury at least once. Moreover, both bivariate and multivariate analyses indicated that self-injury behaviours were related to borderline personality and internal emotion regulation function. Lastly, association between considered personality traits and self-injury functions were investigated. Overall, results indicated that in gothic subculture self-injury has the function of regulating emotion to maintain the integrity of the Self and is related to the perception of a traumatic reality in which derealization coexists with extreme self-directed aggression.     

Respecting religion in youth music subcultures: inclusivity,individuality and conflict avoidance strategy

Drawing on fieldwork with young Evangelical and Pentecostal Christians involved in the secular punk rock subculture, this article examines strategies for building respectful relationships between religious and irreligious young people in youth music subcultures. Although punk rock developed as a secular and often anti-religious youth subculture, and although a thriving Evangelical subculture has developed with its own popular music scenes at odds with secular values, a significant number of young Christians have become active participants in punk. Arguing for the importance of musical and subcultural identities among contemporary youth, this article analyses examples of creative inclusivity and respectful relationships across religious boundaries, as well as examples of conflicts over spiritual values. Outlining strategies for building religious inclusivity and resolving religious conflict in youth subcultures, it is shown that where young people’s creative capacities and individual autonomy are respected and enabled by subcultural peers and secular or religious youth workers and institutions, strongly held religious views can still be welcomed within even strongly secular youth subcultures.     

Introduction: A ‘Curvature of Social Space’

This article provides a comprehensive and critical overview of existing research that investigates (directly and indirectly) the religio-spiritual dimensions of electronic dance music culture (EDMC) (from disco, through house, to post-rave forms). Studies of the culture and religion of EDMC are explored under four broad groupings: the cultural religion of EDMC expressed through ‘ritual’ and ‘festal’; subjectivity, corporeality and the phenomenological dance experience (especially ‘ecstasy’ and ‘trance’); the dance community and a sense of belonging (the ‘vibe’ and ‘tribes’); and EDMC as a new ‘spirituality of life’. Moving beyond the cultural Marxist approaches of the 1970s, which held youth (sub)cultural expressions as ‘ineffectual’ and ‘tragic’, and the postmodernist approaches of the early 1990s, which held rave to be an ‘implosion of meaning’, recent anthropological and sociological approaches recognise that the various manifestations of this youth cultural phenomenon possess meaning, purpose and significance for participants. Contemporary scholarship thus conveys the presence of religiosity and spirituality within contemporary popular cultural formations. In conclusion, I suggest that this and continuing scholarship can offer useful counterpoint to at least one recent account (of clubbing) that overlooks the significance of EDMC through a restricted and prejudiced apprehension of ‘religion’.     

‘Bricolage’: reclaiming a conceptual tool

This article provides the genealogy of bricolage and underscores the modifications it has undergone within the sociologies of culture and religion. It draws on the study of three new religious movements that teach unconventional versions of Hinduism and kabbalah, to show that the current understanding of bricolage in the studies of popular culture and religion over-estimates its eclectic and personal nature and neglects its sociocultural logics. It tends to take for granted the availability of cultural resources used in bricolage, and finally it fails to understand the social significance of individualism, overlooking the ways in which norms and power could be expressed through culture in the contemporary world. This article suggests that it would be best reclaiming bricolage's original meaning, prompting questions about the contexts that make certain elements available, social patterns that may organise bricolage, who ‘bricole’, what for, who is empowered, from what and by using whose tradition.     

Famously Anonymous Artistic Outlaws: The Negotiation of Dual Identities Among Former Graffiti Writers

Graffiti artists must establish a second, anonymous identity that is managed alongside each writer’s “real” self. This study explores the negotiation of these dual identities—one actual, the other virtual—by investigating the management of these identities through retirement. Results reveal that identity making is a collective practice, even for anonymous artists. Participants described a hierarchical graffiti world where invisible social relations are used to establish understanding of the self as a writer. Stealth graffiti artists breach one set of rules but strictly adhere to another set. Even anonymous identities are socially embedded and reflect a politics of belonging. Writer identities can be retired by either integrating them into a public self or transcended through complete role exit.     

Wrestling with American values: an exploratory investigation of World Wrestling EntertainmentTM as a product‐based subculture

Described as the ‘face of American culture’, World Wrestling Entertainment^TM (WWE) events are broadcast in over 162 countries and draw more than 500 million regular viewers. This paper explores the proposition that the WWE fan base represents a product‐based subculture in American society. Using a value laddering methodology, shared values of WWE fans are exposed and the proposition of core and unique cultural values is supported. Practitioner and theoretical implications of the results are discussed. Copyright © 2004 Henry Stewart Publications.     

A subculture of mental toughness in an Australian Football League club

ObjectiveThe current study aimed to provide a subcultural analysis of mental toughness in a high-performance context in sport.DesignUsing Schein's (1990) framework of organisational culture, an exploratory qualitative analysis, employing focus group and individual interviews, was used to investigate mental toughness in an Australian Football League club.MethodNine senior coaches and players participated in focus group and individual interviews. Photo elicitation was used as a method to capture mental toughness through the identification of prominent club artefacts. Participants were considered to have significant subcultural knowledge of their football club and were willing to describe personal experiences and perceptions of mental toughness through this cultural lens. Deductive and inductive analyses were conducted to capture the core themes of mental toughness across the disparate levels of Schein's organisational framework.ResultsMental toughness was found to be a socially derived term marked by unrelenting standards and sacrificial displays. These acts were underpinned by subcultural values emphasising a desire for constant improvement, a team first ethos, relentless effort, and the maintenance of an infallible image. At its core, mental toughness was assumed to be an internal concept, epitomised an idealised form of masculinity, elitist values, and was rhetorically depicted through metaphors of war.ConclusionsIt may be difficult to understand mental toughness without giving attention to the contextual norms related to the term. Appreciating how people promote, instil, and internalise prized ideals coveted as mental toughness could be intriguing for future research in sport psychology.