Why it is difficult to see the anima as a helpful object: critique and clinical relevance of the theory of archetypes

This paper is divided into three parts. The first deals briefly with more general aspects of the theory of archetypes (as conceived by Jung); the second examines the anima archetype in rather more detail, because it is, apart from the self, the main archetype in Jung's thought; and the third discusses the clinical repercussions of the anima theory and of the theory of the archetypes in general. The various references to Jung himself and certain circumstances of his life are included here on the assumption that personal problems in his biography contributed decisively to the constitution of his theory, so that deeper insights accure if they are taken into account.     

Defining the sacred in fine art and devotional imagery

ABSTRACT

Beginning with a definition of the sacred as a two-fold process of making things special, which consists of accentuation and affiliation, this essay proceeds to argue that things are made sacred in devotional piety and in fine art in parallel ways that configure images within webs of agents. The two kinds of imagery perform in practices of sacralization that move toward different ends. The production of aura is at work in each case, but operates with distinct aims. The essay then presents a historical account of fine art as a modern development tied to the rise of the nation-state, in which secularization extended to making art independent of religious institutions and patrons, allowing it to develop in a way that should be distinguished from devotional imagery. This does not mean that religion withers in the modern era, but that art developed its own mode of sacralization.     

Remembering the Summer of 2020

How will historians and theologians remember the summer of 2020? This article leverages a socio-ethical analysis and response to twenty years of sacralized and sacrificial U.S. war-culture, and the meaning of this history, given the shifting cultural tectonic plates in the summer of 2020, and intersecting social ills of climate crisis, racism, inequality, and pandemic.