When 9 is not on the right: Implications from number-form synesthesia

Number-form synesthetes consciously experience numbers in spatially-defined locations. For non-synesthete individuals, a similar association of numbers and space appears in the form of an implicit mental number line as signified by the distance effect–reaction time decreases as the numerical distance between compared numbers increases. In the current experiment, three number-form synesthetes and two different non-synesthete control groups (Hebrew speaking and English speaking) performed a number comparison task. Synesthete participants exhibited a sizeable distance effect only when presented numbers were congruent with their number-form. In contrast, the controls exhibited a distance effect regardless of congruency or presentation type. The findings suggest that: (a) number-form synesthesia impairs the ability to represent numbers in a flexible manner according to task demands; (b) number-form synesthesia is a genuine tangible experience, triggered involuntarily; and (c) the classic mental number line can be more pliable than previously thought and appears to be independent of cultural-lingo direction.     

Synesthesia: Strong and Weak

In this review, we distinguish strong and weak forms of synesthesia. Strong synesthesia is characterized by a vivid image in one sensory modality in response to stimulation in another one. Weak synesthesia is characterized by cross-sensory correspondences expressed through language, perceptual similarity, and perceptual interactions during information processing. Despite important phenomenological dissimilarities between strong and weak synesthesia, we maintain that the two forms draw on similar underlying mechanisms. The study of strong and weak synesthetic phenomena provides an opportunity to enrich scientists' understanding of basic mechanisms involved in perceptual coding and cross-modal information processing.     

Consistency of synesthetic association varies with grapheme familiarity: A longitudinal study of grapheme-color synesthesia

Grapheme-color synesthesia is a condition in which the visual perception of letters or numbers induces a specific color sensation. The consistency of grapheme-color association has been considered as a fundamental characteristic of synesthesia. However, recent studies have indicated that this association can change across the adult lifespan, and it has become necessary to investigate the factors behind the changes within each synesthete. We conducted a longitudinal study of Japanese adult synesthetes to investigate long-term (5–8 years) changes in color responses to 300 graphemes (alphanumeric and Japanese characters). Graphemes with lower long-term consistency of synesthetic association also tended to have lower short-term consistency, indicating that grapheme-color association's consistency is determined for each grapheme. Further, less familiar graphemes had less consistent associations with their synesthetic colors. These findings suggest that a stronger grapheme-color association is formed for more familiar graphemes, leading to the consolidation of synesthetic color for such graphemes.     

Musical space synesthesia: Automatic,explicit and conceptual connections between musical stimuli and space

In musical–space synesthesia, musical pitches are perceived as having a spatially defined array. Previous studies showed that symbolic inducers (e.g., numbers, months) can modulate response according to the inducer’s relative position on the synesthetic spatial form. In the current study we tested two musical–space synesthetes and a group of matched controls on three different tasks: musical–space mapping, spatial cue detection and a spatial Stroop-like task. In the free mapping task, both synesthetes exhibited a diagonal organization of musical pitch tones rising from bottom left to the top right. This organization was found to be consistent over time. In the subsequent tasks, synesthetes were asked to ignore an auditory or visually presented musical pitch (irrelevant information) and respond to a visual target (i.e., an asterisk) on the screen (relevant information). Compatibility between musical pitch and the target’s spatial location was manipulated to be compatible or incompatible with the synesthetes’ spatial representations. In the spatial cue detection task participants had to press the space key immediately upon detecting the target. In the Stroop-like task, they had to reach the target by using a mouse cursor. In both tasks, synesthetes’ performance was modulated by the compatibility between irrelevant and relevant spatial information. Specifically, the target’s spatial location conflicted with the spatial information triggered by the irrelevant musical stimulus. These results reveal that for musical–space synesthetes, musical information automatically orients attention according to their specific spatial musical-forms. The present study demonstrates the genuineness of musical–space synesthesia by revealing its two hallmarks—automaticity and consistency. In addition, our results challenge previous findings regarding an implicit vertical representation for pitch tones in non-synesthete musicians.     

Synesthesia Affects Verification of Simple Arithmetic Equations

To investigate the effects of color–digit synesthesia on numerical representation, we presented a synesthete, called SE, in the present study, and controls with mathematical equations for verification. In Experiment 1, SE verified addition equations made up of digits that either matched or mismatched her color–digit photisms or were in black. In Experiment 2A, the addends were presented in the different color conditions and the solution was presented in black, whereas in Experiment 2B the addends were presented in black and the solutions were presented in the different color conditions. In Experiment 3, multiplication and division equations were presented in the same color conditions as in Experiment 1. SE responded significantly faster to equations that matched her photisms than to those that did not; controls did not show this effect. These results suggest that photisms influence the processing of digits in arithmetic verification, replicating and extending previous findings.     

Colour fluctuations in grapheme‐colour synaesthesia: The effect of clinical and non‐clinical mood changes

Synaesthesia is a condition that gives rise to unusual secondary sensations (e.g., colours are perceived when listening to music). These unusual sensations tend to be reported as being stable throughout adulthood (e.g., Simner & Logie, 2007, Neurocase, 13, 358) and the consistency of these experiences over time is taken as the behavioural hallmark of genuineness. Our study looked at the influence of mood states on synaesthetic colours. In Experiment 1, we recruited grapheme‐colour synaesthetes (who experience colours from letters/digits) and elicited their synaesthetic colours, as well as their mood and depression states, in two different testing sessions. In each session, participants completed the PANAS‐X (Watson & Clark, 1999) and the BDI‐II (Beck, Steer, & Brown, 1996, Manual for Beck Depression Inventory‐II), and chose their synaesthetic colours for letters A‐Z from an interactive colour palette. We found that negative mood significantly decreased the luminance of synaesthetic colours. In Experiment 2, we showed that synaesthetic colours were also less luminant for synaesthetes with anxiety disorder, versus those without. Additional evidence suggests that colour saturation, too, may inversely correlate with depressive symptoms. These results show that fluctuations in mood within both a normal and clinical range influence synaesthetic colours over time. This has implications for our understanding about the longitudinal stability of synaesthetic experiences, and of how mood may interact with the visual (imagery) systems.     

强联觉的认知加工模型及其脑机制

联觉是当个体感受到一种感觉刺激的同时体验到其它感觉的现象, 主要分为强联觉和弱联觉两种。本文主要介绍了强联觉的各种类型及其相关脑机制的研究, 分析和比较了前人从结构和认知加工角度建构的多个强联觉理论模型, 总结了这些模型对强联觉现象脑神经机制的解释。同时本文还探讨了强联觉与其它(如注意、记忆、创造力等)认知加工过程的关系, 对弱联觉(即联觉隐喻)的研究进展和不足也进行了分析和总结, 指出未来对联觉的研究趋势应集中在弱联觉的研究上。     

联觉的认知神经机制

联觉是指由一种感官刺激引起其他感官体验的心理过程。近年来的研究将行为实验和脑成像技术结合,发现了联觉的认知神经基础。本文总结了最受关注的字形-颜色联觉的研究成果,认为联觉发生在视知觉加工的早期阶段,与知觉在本质上有许多共同特征,其脑区涉及梭状回（V4）和顶叶。未来联觉的研究将通过综合运用各种方法,进一步拓宽研究范围。     

Synaesthesia is linked to more vivid and detailed content of autobiographical memories and less fading of childhood memories

People with synaesthesia have enhanced memory on a wide range of laboratory tests of episodic memory, but very little is known about their real-world memory. This study used a standard measure of autobiographical remembering (the Autobiographical Memory Questionnaire, AMQ) considering four constructs (Recollection, Belief, Impact and Rehearsal) and two time periods (recent memories from adulthood, remote memories from childhood). Synaesthetes reported more Recollection (e.g., sensory detail) and Belief (e.g., confidence) which interacted with time, such that remote memories are reported to be comparatively better preserved in synaesthetes. This cannot be explained by synaesthetes recalling more salient episodes (the groups did not differ in Impact). It suggests instead that childhood memories have a special status in synaesthesia that reflects the different neurodevelopmental trajectory of this group. With regards to Rehearsal, controls tended to report that more recent memories tend to resurface (i.e., adulthood > childhood), but the synaesthetes showed the opposite dissociation (i.e., childhood > adulthood).