Aging and Opportunity: Growing Older in Clara Reeve's School for Widows

The state of widowhood has traditionally been understood in terms of what is missing from a woman's life--a husband--rather than what she is, and this traditional practice of negative definition is reflected in the novels of eighteenth-century England. This essay will examine some of the stereotypes of the widow that were prevalent during the eighteenth century, and present Clara Reeve's novel The School for Widows (1791) as a strong and valid response to the pervasive negative perception of widowhood and of older women in general.     

‘Philosophy is its own time comprehended in thought’

So much philosophy is so unavoidably guided by intuitions, and such intuitions are so formed by examples, and such examples must of necessity present so cropped and abstract a picture of an instance or event or decision, that, left to its traditional methods, philosophy might be ill-equipped on its own to answer a question about the true content of an historical ideal like ``autonomy', or authenticity or ``leading a free life'. One needs to bring so many factors into play at once that one non-traditional but more promising path might be through reflection on the modern novel—or modern drama or poetry or film or even modern painting.     

金庸小说与《周易》

金庸小说不仅有精彩的武功描写,而且有丰富的文化内涵.金庸小说独特的审美价值与<周易>的影响密不可分,这种影响表现在武功描写、人物设计和理想追求三个方面.正是由于金庸将<周易>学说融人到他武侠世界的武功、生活和理想之中,融人到对历史和现实、人性和人生、社会与文化、英雄与人格等的思考之中,因此,他的作品具有了丰富的文化内涵.     

Reading the writing in the margins: dysfunction,disjunction, disgust,and the bodies of others

ABSTRACT

Intersex’s representation as “border case,” explored via six fictional treatments of unusually sexed bodies, echoes the ways “atypical” and “marginal” sex and sexuality receive attention to defer focus on that never queried because it seems so ordinary. Across the novels, the purported otherness of the intersex character highlights the dysfunctionality of those around them. In this way, dysfunction, disjunction, and disgust exist across the relationships and dynamics surrounding the scapegoated identity and are a means to avoid the hard work of critical self-reflection on the parts of those who do not usually deem themselves “other.” If the supporting characters in all these novels are guilty of failing fully to explore their own marginality, the same has frequently happened with religious bodies’ attitudes to intersex, and this is discussed with reference to accounts of intersex in Judaism and Islam, and tensions surrounding the casting out of sexual “violators” in one Christian tradition.     

Good writers,bad Jews: the “Jewish Question” among Hungarian Jewish intellectuals of the interwar period

This paper investigates the perceived place of the Jewish writer in interwar Hungarian Jewish literature. Post-World War I Hungary suffered from the effects of a short-lived communist regime, and the Trianon Treaty by losing two-thirds of its territories and more than half of its population. Though previously Jewish communities had thrived in the country, these events caused resentment that manifested itself in the creation of anti-Semitic laws in 1920. Within this new context, assimilated liberal young Jewish writers posed the question of “what is a Jew,” reflecting on their Jewishness and Hungarianness at the same time and pondering about the value of each. They answered the question in their creative works, where they indirectly explored issues such as whether Jews are able to write Hungarian novels or whether only a Hungarian can do so; whether Jewish Hungarians could write Hungarian Jewish novels; whether Hungarianness and Jewishness are compatible or whether writing literature is preconditioned on identity. Through the lens of Aladár Komlós, this paper examines the way in which liberal and assimilated young Hungarian Jewish writers interpreted their place in Hungarian culture and society within the framework of these questions.