Birth as Labor and Natality

Abstract

While the embodied subject has become a crucial site of theorization in both the study of religion and feminism, the maternal subject has not yet received consideration. As double, divided in bodies and psyches, subject to partial deaths, opaque to itself, continuous and bounded, of double ontological and legal status, perhaps complexly racialized, perhaps complexly sexed and gendered, the maternal subject defies a liberal anthropology. This paper turns to Hannah Arendt’s work and reception as an important path for consideration of the political import of maternality. Arendt perpetuates a strong private/public distinction and locates maternality in the realm of labor and decisively outside the polis. Birth and maternality as apolitical labor drew strong criticism from Arendt’s first generation of interpreters. Yet this also articulates “flesh-and-blood” aspects of maternality in ways that now deserve greater consideration. Arendt’s famous notion of natality as the source of human newness has been received with enthusiasm by many feminists. I show that Arendt, in part because of the theological heritage of her anthropology of the creature, adopts a problematically disembodied notion of birth, one that effaces the maternal subject in the production of the politics of citizens.     

Response

Abstract

One of the last taboos in the public representation of sexuality seems to be the sexuality of elderly people, notwithstanding considerable changes in their actual levels of sexual activity. Dresen's film Cloud 9 breaks this taboo telling the story of a passionate relationship between two people in their sixties/seventies. The protagonists' differing perceptions of how to live the time that remains to them, and how to acknowledge and realize their desires and the passion of their bodies marked by time and experience, shows the ethical issues implied in the story without providing easy answers. Viewers are left to struggle with these questions, not least because identification with the protagonists is disrupted at the same time as it is encouraged by the film.     

Introduction

Abstract

The introduction to the special issue situates the five following essays in the context of historical and contemporary theological reflection on maternality. It addresses the fraught connection between sexuality and maternality in the Christian theological imagination and argues that the maternal body has often functioned as a bridge between the opposed arenas of Word and flesh, God and humanity, and eternity and time. The introduction concludes by using the figure of the Virgin Mary as a lens to consider the theological themes of birth, grief, the incarnation, sacrifice, and Eucharist. Mary’s body, site of the incarnation, allows connection, mediation, contiguity, and congress to occur. As such, it also functions as a bridge between theology and sexuality.