Therapy for the Dead: Working Clinically with Jung's Black Books and The Red Book

With the 2020 publication of the facsimile edition of The Black Books, we have an opportunity to study the layers of C. G. Jung's creative writing process for the first time. In this paper, I explore Jung's practice of active imagination in relation to his fantasy dialogues with the dead during two specific episodes in 1914 and 1916. I discuss Jung's concept of the collective unconscious corresponding to the “mythic land of the dead” and I show how this idea develops in The Black Books and The Red Book, or Liber Novus, culminating in Septem Sermones ad Mortuos. I describe my work with a patient, who, in an early session, said she felt like the "living dead". I recount how the patient's experience of her own internal world began to change as we were able to wonder about the inner world of the patient's late mother and, together, to imagine her mother's lament. I consider the use of imagination when working with the concept of "therapy for the dead" (Hillman & Shamdasani, 2013, p. 164) in the context of intergenerational trauma.     

"I WALK WEEPING IN PANGS OF A MOTHERS TORMENT FOR HER CHILDREN": Women's Laments in the Poetry and Prophecies of William Blake

Cross-cultural scholarship in ritual studies on women's laments provides us with a fresh vantage point from which to consider the function of women and women's complaining voices in the epic poems of William Blake. In this essay, I interpret Thel, Oothoon, and Enitharmon as strong voices of experience that unleash some of Blake's most profound meditations on social, sexual, individual, and institutional forms of violence and injustice, offering what might aptly be called an ethics of witness. Tracing the performative function of Enion, Jerusalem, Vala, and Erin in Blake's later epics, The Four Zoas and Jerusalem , I argue for the close connection between the female laments and the possibility of redemption, though in Blake such "redemption" comes at the cost of the very voices of witness themselves.     

Race and the gift of lament

A close look at historical narratives can help us understand how intractable racial injustice is, both in society and in the church. Progress toward racial equity requires us to recognize ourselves as actors in history, and also as those influenced by and acted upon by the forces of history. In addition, lament can help us move toward the theological work of repentance. This article is adapted from The Gift of Lament: Moving from Diversity to Racial Equity in the ELCA, 2018 MDiv Thesis, Wartburg Theological Seminary. Portions of this article were also presented at the June 2019 Convocation of Teaching Theologians.