States of grace: Eureka moments and the recognition of the unthought known

In this paper we consider states of grace in analysis. These encompass a range of phenomena which share an experience of something being received or revealed rather than produced by the ego. It feels that they are events that happen rather than events that are made to occur. They are marked by a profound sense of transformation of feeling tone. The quality of relatedness in the analytic dyad is also heightened. Some of these phenomena have been referred to as experiences of the self, synchronicities, moments of meeting, the unthought known and Eureka moments. The latter are experiences of sudden realization where a meaningful thought or image emerges which results in a dramatic shift in direction of the analysis and a transcendence of impasse. Although many authors describe these phenomena, we find that a Jungian approach provides a loom on which these threads can be woven together. Jung's concept of the transcendent function and his understanding of the gift of grace are particularly illuminating here. We also consider the conditions which allow grace to be experienced and how these inform our analytic practice.     

Defect and Recognition in Sophocles’ <Emphasis Type="Italic">Oedipus Rex</Emphasis>

This paper explores the relationships between experienced defect and the subsequent shame and longing for recognition. A clinical vignette is presented in which a young woman sought treatment for her infidelity to her husband: a behavior she found totally mystifying and deeply troubling. Using Bollas’ concept of “the unthought known,” parallels are drawn between this patient, who was adopted at 2 weeks of age, and Oedipus’ experience of knowing and not knowing his fate. A case is made for the idea that we both avoid and seek to know what is unbearable about ourselves, including our sense of defects. One motivation for this is the longing to be seen, recognized, known, and, finally, know one’s self.     

全视野汉字词义联想的ERP特征与汉字认识的ERP甄别

实验刺激模式为“预备信号纯音－屏幕呈现一个提示字一屏幕呈现一个操作字”。令被试者用操作字联想出另一个字以组成词,并口述之。实验组依联想性质分为具体与抽象二项,另进行一项对照实验。每项实验的操作字皆分为认识与不认识两类,脑电记录点为Ｆｚ,Ｃｚ,Ｐｚ,Ｐ３－Ｔ５中点,Ｐ４－Ｔ６中点,主要观察到：（１）词义联想引起Ｐ３与正慢波（ＰＳＷ）波幅增大。（２）不认识字联想可导致ＰＳＷ波幅极显著地增大和潜伏期极显著地延长,（３）无论汉字是否认识,对照组ＰＳＷ波幅较两个实验组皆高。（４）从ＰＳＷ中提取出了反映汉字认识与否的纯心理性Ｐ８００成分。（５）对照组的Ｐ８００始潜时较两个实验组皆长,这些实验结果表明,除前人提出的ＰＳＷ具有信息加工完成之认知含义外,ＰＳＷ尚与汉字形音认知、联想等多重信息加工相关,很可能是复合波;汉字的形音义加工间存在着错综复杂的关系,难以分割;在本实验条件下可使用ＰＳＷ或Ｐ８００成分作为甄别汉字是否认识的客观标志。     

在推理加工能力上学困生与学优生的比较研究

本研究采用模糊集论和信息论的方法,探讨了中小学学困生与学优生在不同记忆负荷条件下的推理加工。结果表明,学优生与学困生在高低两种记忆负荷条件下,已知信息的利用率和推理加工的效率都受到了影响。其中学困生的已知信息的利用率不如学优生,学困生的推理加工效率也不如学优生。     

心理治疗效果评定量表(简式)在中、德应用的心理测量学研究(英文)

419名中国和德国被试参加了本研究,并回答了若干简式心理健康量表。所选的这套量表能对心理治疗不同阶段的效果(Howard’s阶段模型:重新认识期-转变期-康复期)进行测查。本研究目的在于考察这些简式量表能否用于认知-行为治疗跨文化培训项目中的质量管理。结果显示,这些量表在中德两种文化背景下都有很高的信度和效度(聚合效度和敏感性)。尽管项目间的高相关似乎提示心理健康模型只有一个维度,但探索性因素和理论分析则更支持心理健康是一个分为8个亚维度的模型,其中每个亚维度或者与基础情绪、或者与社会性情感相连关联。本文最后就研究结果及其对心理治疗质量控制的意义进行了详细讨论。     

心理治疗效果评定量表（简式）在中、德应用的心理测量学研究

419名中国和德国被试参加了本研究,并回答了若干简式心理健康量表。所选的这套量表能对心理治疗不同阶段的效果（Howard’s阶段模型：重新认识期-转变期-康复期）进行测查。本研究目的在于考察这些简式量表能否用于认知-行为治疗跨文化培训项目中的质量管理。结果显示,这些量表在中德两种文化背景下都有很高的信度和效度（聚合效度和敏感性）。尽管项目间的高相关似乎提示心理健康模型只有一个维度,但探索性因素和理论分析则更支持心理健康是一个分为8个亚维度的模型,其中每个亚维度或者与基础情绪、或者与社会性情感相连关联。本文最后就研究结果及其对心理治疗质量控制的意义进行了详细讨论     

Performance as annihilation or integration?1

What happens when the analyst has the impression of being annihilated by the patient? Analysts have a tendency to use more general, i.e. simplifying, constructions such as destructiveness, psychosis or death instinct as explanatory models. In the authors' view, these constructions in the end evade rather than mirror clinical reality. More recent research points to promising possibilities of differentiation, e.g. psychotic mechanisms which are‐as yet undiscussed‐based on Freud's notion of the partial ‘rent in the relation between ego and external world’. These findings emphasize the restitutive function of a symptom or disturbance, i.e. destruction of a relationship which hinders the therapeutic process and which is not understood initially, instead of solely stressing the destructive meaning in a tabooing gesture. The concept of performance attempts to replace simplifying models with a discriminant process, and will be preliminarily defined and explained in delineation to terms already in use such as acting out, enactment, and role responsiveness. The authors explore the question of how the perception of unthought certainty in the performance can either be recognized as a blueprint, i.e. organizing activity, or as the destruction of the relationship so that a new one can emerge. The evidence from a detailed clinical example shows that many treatments can fail at this point and demonstrates how an understanding of performance in this sense offers a chance for integrating processes that otherwise impede treatment.