Save It for God: Confession and the Irrelevance of the Judicial System with Special Attention to Dostoevsky's The Brothers Karamazov

Confession is essential for spiritual growth, but the judicial system provides little room for it. The judiciary is particularly unequipped to help convicts grapple with their guilt. Dostoevsky was the first to raise this critique in The Brothers Karamazov.     

Better Never to Have Been Born

The pro‐life paradox, as I call it, begins with a single claim endorsed by many American Christians: infants and young children are innocent in the sight of God because they cannot yet take responsibility for their spiritual well‐being. With this in mind, I argue that pro‐life believers have unwittingly fallen victim to a theological paradox in which their attempts to save the earthly lives of unborn children make it theoretically possible for said children to die an eternal death. On the one hand, many Christians trust in an eventual spiritual reckoning where God will separate the “sheep” from the “goats” (see Matthew 25:31–46), ushering the former into heaven while damning the latter to hell. However, those who cannot yet repent and seek salvation are not blamed for their spiritual failings. If they die, they go to heaven because they are too young and intellectually immature to know any better. But if dead children are spiritually blameless, then abortion practitioners have perversely and paradoxically saved millions of unborn souls by removing human volition (and thus damnation itself) from the equation and by making it possible for the unborn to experience the joys of heaven without the temptations of earth.     

Eternally Separated Lovers: The Argument from Love

A message scribbled irreverently on the mediaeval walls of the Nonberg cloister says this: ‘Neither of us can go to heaven unless the other gets in.’ It suggests an argument against the view that those who love people who suffer in hell can be perfectly happy, or even free from all suffering, in heaven. This paper considers the challenge posed by this thought to the coherence of the traditional Christian doctrine on which there are some people in hell who are suffering and others in heaven who are not suffering. More precisely, it defends the following argument:

1. No one who loves another can be perfectly happy or free from suffering if they know that their beloved is suffering.

2. Anyone in hell suffers (at least as long as they are in hell).

3. Anyone in heaven is perfectly happy or at least free from suffering.

4. There can be no one in heaven who is aware of the fact that his or her beloved is in hell. (1, 2, and 3)

The paper argues that the first premise is eminently plausible and that those who accept the traditional Christian doctrine should endorse the claim that some of those in heaven love people whom they know to be suffering in hell. So, it concludes that there is reason to reject the traditional Christian doctrine.     

Soul,freedom and salvation: a literary,cinematic and musical journey to the crossroads

It is tempting to assume that the construction of rational arguments for the existence of God reflects the basic logical form of theological discourse and debate. However, it would also seem that most if not all major religions are grounded mainly in stories (including biographies) of divine or divinely inspired saviours or prophets, and that the form of much ordinary religious understanding is ‘narratival’. In addition, such latter‐day moral and social theorists as Alasdair MacIntyre have held that human moral and spiritual understanding cannot but take a narrative form, and regarded religious stories as contributing crucially to such appreciation. However, while it is tempting to support such claims by reference to classics of literary and artistic culture, it is arguable that much contemporary cinematic and other popular art has also developed the major moral and spiritual themes of classical culture in significantly insightful ways. This article explores the movie Crossroads as a particularly fertile instance of such development.     

Why God Lied to Me: Salvationist Theism and Justice

It is widely assumed that God is either incapable of lying to humans or utterly unwilling to do so. However, there appear to be compelling reasons for God to intentionally deceive that are rooted in the traditional conception of God as an agent of salvation for humanity. A terroristic threat like eternal damnation ("hell") illustrates these reasons. God's love for human beings as wayward members of a divine family in concert with the obvious moral and cognitive limitations many humans suffer provide sufficient reason for God to deploy (or allow uncorrected) the threat of eternal damnation. A proper understanding of justice supports the contention that eternal damnation is contrary to justice, and therefore divinely inspired threats of eternal damnation are deceitful.