The body and sublimation in a violent male offender

A case study of a violent young man called Stan is presented to understand the nature and function of his violence as he negotiated his way through anxieties about heterosexuality and passivity stimulated by his adolescence. Stan’s early history and the clinical material are used to illustrate Armando Ferrari’s concept of the Concrete Original Object. As his psychotherapy progressed he utilised his talent for drawing to sublimate his violent activity into violent images, which, in turn, enabled him to reflect on his anxieties. Stan’s violence subsided and he was able to engage in a vocation and develop a long-term relationship with a woman.     

The uses of humor in life,neurosis and in psychotherapy: Part 2

Abstract

The first part of the paper focused on the dynamics of wit in life, literature, and psychoanalysis; the second part of this paper is devoted to the use of humor in therapy. The central concept is Freud's psychoanalytic method, as distinguished from Freud's various theories of disorder, or neurosis, with a further elaboration of Freud's inherently interpersonal conception of the analytic process, already present in the cathartic phase of the therapeutic technique. The cathartic, or discharge, function of humor is connected to reciprocal free association (a term coined by the author) to define the mutual and reciprocal free association in analysand and analyst, playing an essential role in the genesis of insight and interpretation. Humor has its role in loosening repression, facilitating the emergence of unconscious emotions and ideas, bringing to light character defenses, and thus driving the process of analysis.     

王家台秦简“易占”与殷易《归藏》

从秦简“易占”与《周易》相应之卦存在的不同卦名来看 ,前者与卦之象义的关系简单直观 ,后者与卦之象义的关系则复杂抽象 ,故秦简“易占”之卦名当即先于《周易》之卦名而存在的殷易《归藏》之卦名。秦简“易占”之占辞中存有与殷易时代不合之数条 ,但其余占辞显然绝非后世所能编造 ,当即殷易《归藏》所收夏商旧有的占筮记录之辞。秦简“易占”虽非殷易《归藏》之原貌和全貌 ,但大体为殷易《归藏》之内容。     

Fighting and Flying: Archival Analysis of Threat, Authoritarianism, and the North American Comic Book

In this archival study, themes of authoritarianism ( Adorno, Frenkel-Brunswik, Levinson, & Sanford, 1950 ) were content coded in American comic books. Comic books produced during years of relatively high social and economic threat (1978–82 and 1991–92) contained more aggressive imagery, more conventional themes, less intraception, and fewer spoken lines by women characters relative to comic books produced during years of relatively low threat (1983–90). Unexpectedly, speaking roles for characters of color did not differ due to the influence of threat. Discussion focused on the theoretical relationship between threat and manifestations of authoritarianism at the societal and individual levels.     

Navigating the narrative: An eye-tracking study of readers' strategies when Reading comic page layouts

In multimedia stimuli (e.g., comics), the reader must follow a narrative in which text and image both contribute information, and artists may use more irregular layouts which must still be followed correctly. While previous work has found that the external structure (outlines) of panels is a major contributor to navigation decisions in comics, other studies have shown that panel content can affect reading order. The present studies use eye-tracking to investigate these contributions further. In Experiment 1, the reading behaviors on six layout variations were compared. The influence of the external structure was replicated, but an effect of text location was also found for one layout type. Experiment 2 focused on variations of this particular layout, manipulating the location of text within critical panels. Panel content was a consistent effect for all variations. While most navigation decisions are made using the external structure, content becomes key when resolving ambiguous layouts.     

Who shows which kind of humor? Exploring sociodemographic differences in eight comic styles in a large Chilean sample

The present study investigates mean-level differences in eight comic styles (fun, benevolent humor, nonsense, wit, irony, satire, sarcasm, and cynicism) depending on the sociodemographic variables gender, age, education, political spectrum, and religious affiliation. A large and varied Chilean adult sample (N = 1,272, 60.1% women; age M = 39.94, SD = 17.33) was recruited in face-to-face interviews and online testing. They completed self-reports of the comic styles (the Comic Style Markers) and sociodemographic variables. Overall, small, but meaningful, differences in comic styles were found for the different sociodemographic groups. Men scored higher than women in all comic styles except for benevolent humor, and six styles decreased with age. Having lower education was associated with more cynicism, while the reverse pattern was found for satire and wit. Religious people showed lower scores in four styles than non-religious people, and cynicism was higher in those identifying with left wing rather than right-wing attitudes. The present study thus provides insights into who is more likely to engage in different kinds of humor in their everyday lives.     

The uses of humor in life,neurosis and in psychotherapy: Part 1

Abstract

Joy and sadness, the comic and the tragic, making jokes and telling jokes, have been known in life, literature, the theater, and art since the dawn of civilization. Following in the footsteps of classical antiquity, Freud added to the philosophical analysis of humor the insights offered by the psychoanalytic method. The bridge was the cathartic method of treating neuroses, where discharge of affect was one of the foundations of technique, and the cathartic, or discharge, function of humor. Freud's analysis of humor, that “A joke … is the most social of all mental functions that aim at a yield of pleasure” introduces Freud's first explicit formulation of an interpersonal approach to the human situation in health and disorder.     

Draw Me Your Thoughts: The Use of Comic Strips as a Cognitive Behavioral Therapy Intervention

ABSTRACT

Creating comic strips can be a viable mechanism when utilizing cognitive behavioral interventions. Generating comic strips, which involves a process of constructing sequenced panels and a story-narrative through drawing, can reveal dysfunctional cognitions that can consequently be addressed. The authors of this article discuss a qualitative case study of a 14-year-old high school boy who came for psychotherapy due to severe anxiety during math tests. Creating comic strips was found to be beneficial in externalizing problematic thinking processes, which were then utilized for cognitive restructuring and behavioral modification. The use of comic strips provided a concrete medium for analyzing maladaptive thoughts and practices, leading the way for the emotional management of anxiety with math.     

Individuality of Narratives Generated by Individuals: An Investigation Using Four-Panel Comics

In this study, we conducted an empirical research focusing on the generation of stories to obtain a hypothesis on how different the stories that people generate in their daily lives by linking events and situations are. For this purpose, five illustrations that revealed only the first and fourth panels of a four-panel comic were used as stimuli to generate a narrative in which the participants could make a connection between them. A total of 40 stories were obtained from eight participants. As a result, the narrative emerged in a variety of ways, even in events with little personal connection to the participants. This reveals that there are individual differences in the way people generate narratives themselves, despite their relationship with and position on the event. When the stories were typified, none of the participants generated similar stories in all five illustrations. This suggests that, because the combination of stories a person creates about every event is unique, there is only one story about the world, and one about himself/herself.