Defining the sacred in fine art and devotional imagery

ABSTRACT

Beginning with a definition of the sacred as a two-fold process of making things special, which consists of accentuation and affiliation, this essay proceeds to argue that things are made sacred in devotional piety and in fine art in parallel ways that configure images within webs of agents. The two kinds of imagery perform in practices of sacralization that move toward different ends. The production of aura is at work in each case, but operates with distinct aims. The essay then presents a historical account of fine art as a modern development tied to the rise of the nation-state, in which secularization extended to making art independent of religious institutions and patrons, allowing it to develop in a way that should be distinguished from devotional imagery. This does not mean that religion withers in the modern era, but that art developed its own mode of sacralization.     

Healing Together

As part of the World Council of Churches’ pilgrimage of justice and peace, the Just Community of Wo/Men organized the “Walking Her-Story” activity as a gender response. These have remained pilgrim team visits that focus on listening to the stories of wo/men young and old and particularly addressing gender injustice specifically as expressed in sexual and gender-based violence. This article focuses on the process triggered by such stories in Burundi, Democratic Republic of the Congo, Nigeria, and South Sudan that became the midwife that gave birth to Healing Together – an ecumenical resource for faith- and community-based counselling of those psychosocially wounded by injustice and violence. Rooted in the understanding of mission as healing and wholeness, the stories listened to became a cry for healing and wholeness. The process and product benefited from the richness of my being an ethicist of care nurtured by my ubuntu (communitarian) ethical background, trained in Healing of Memories’ facilitation and as a student of Franklian logotherapy. I worked with survivors of injustice and violence, post-traumatic stress disorder healing facilitators, and church leaders through the council of churches in Nigeria, Sierra Leone, and South Sudan.     

Exploration of anomalous perceptual experiences in migraine between attacks using the Cardiff Anomalous Perceptions Scale

Distortions in sensory experiences that precede a migraine attack have been extensively documented, the most well-known being the visual aura. Distortions in the experience of other senses are also reported as part of an aura, albeit less frequently, together with changes in the perception or ownership of the body or body parts. There are many examples of differences in aspects of visual perception between migraine and control groups, between attacks, but not as much on unusual experiences involving other senses, the sense of the body or the experience of the environment. Seventy-seven migraine (33 with aura) and 74 control participants took part. Anomalous perceptions were experienced by both migraine and control groups, but more with migraine experienced them and rated them as more distressing, intrusive and frequent. Associations with reports of visual triggers of migraine and visual discomfort are presented. This study is the first to show relationships between these factors.