Keeping in Tune with the Times—Praise & Worship Music as Today's Evangelical Hymnody1 in North America

Abstract : In the heated discussion about different church music styles, one aspect often gets overlooked: the similarities between traditional hymns and the modern or contemporary Praise and Worship music (P&W). Aiming at unfolding some of these similarities, this article contemplates technological, sociological, and theological perspectives to reveal parallels between the two practices and postulates P&W as today's evangelical hymnody in North America.     

从GDP崇拜到GNH关怀的伦理分析

从GDP崇拜到GNH关怀,是两种发展观的转变,其实质就是对幸福的一种崭新诠释和评价标准的转变。GDP崇拜其实质就是唯效率崇拜,促进了经济的发展,但也带来了道德的困惑和系列社会问题,由政府善治,经济增长,文化发展和环境保护四极组成的GNH关怀发展理念,已成为我们党和政府的执政理念和行政理念,具有积极的伦理意义,必须予以高度重视。     

Perceptions of the value of Collective Worship amongst trainee teachers in England

This article draws on a survey conducted with primary school trainee teachers in a university in England. The survey set out to investigate their knowledge, understanding and their view about the role that Collective Worship (CW) plays in schools. A sample of 125 participants contributed to the findings of this inquiry by completing a questionnaire. The results demonstrate that these students think that CW makes a significant contribution to the spiritual, moral, social, cultural (SMSC), and emotional and intellectual development of pupils. The most significant finding is that they think worship should be retained. Their views are important as they provide further insights for the debates currently taking place about the status and nature of worship in schools. The research has implications for further studies and to develop the overall knowledge about CW among trainee teachers.     

Admiration and adoration: Their different ways of showing and shaping who we are

Admiration and adoration have been considered as emotions with the power to change people, yet our knowledge of the specific nature and function of these emotions is quite limited. From an interdisciplinary perspective, we present a prototype approach to admiration and what has variously been labelled adoration, worship, or reverence. Both admiration and adoration contribute to the formation of personal and collective ideals, values, and identities, but their workings differ. We offer a detailed theoretical account of commonalities and differences in the appraisal patterns and action tendencies associated with the two emotions. This analysis reveals that admiration motivates the internalisation and emulation of ideals embodied by an outstanding role model. Adoration motivates adherence to the teachings and expectations of a meaning maker and benefactor perceived as superhuman or sacred. Thus, the primary function of admiration is to promote individual learning and change, whereas adoration primarily serves to bind communities together.     

名人崇拜研究综述

名人崇拜的研究一般是从理论上对其成因的阐释、现象调查和影响因素分析。国内多为质性研究和现象调查,并将名人崇拜与榜样学习进行对比。国外多量化相关研究,创制了量表Celebrity Attitude Scale,并发现认知、依恋风格、人格等影响因素。但对名人崇拜的因果研究还很缺乏,实证研究缺乏,且现有研究未能关注名人崇拜的无意识或内隐因素。     

Marginal Musical Spaces at St Aldates,Oxford

St Aldates is a large Charismatic Anglican church in the centre of Oxford. The music of the regular Sunday services stands within the tradition of Contemporary Worship Music and the musical leaders cultivate an intentional sense of consistency. Within this environment, individuals are often expected to set aside existing musical tastes and attachments, adopting an attitude of worship regardless of their relationship to the musical environment. Away from the Sunday services there are a number of more marginal musical spaces in which a wider range of musical forms find expression. In this article I draw on third-space theory and my own ethnographic fieldwork to explore the alternative musical dynamics which two such spaces open up and the different relationships which they enable between individuals’ diverse musical attachments and the musical life of the church. In line with divergent streams in the literature, I suggest that these spaces carry both productive and disruptive potential, both challenging and supporting prevailing musical norms.     

Witnessing to Hope in the Christian Community Through Irony

The concept of witnessing to hope reminds us that nurturing hope is fundamentally a communal endeavor. In the Christian tradition, this witnessing takes a particular form. It involves the use of the ironic imagination: Death leads to new life, the poor are considered blessed, and the faithful boast in their suffering. It is argued that a central pastoral task is stimulating the ironic imagination. While this can take place in a number of settings, the focus here is on public worship. Practical examples of how this task might be executed are offered.

Linking admiration and adoration to self-expansion: Different ways to enhance one's potential

How is admiration different from adoration? We provided one answer to this question by examining the pathways through which admiration and adoration linked to self-expansion in a questionnaire and an experimental (autobiographical recall of emotion episodes) study. Both emotions were associated with increased potential efficacy to accomplish goals (i.e., self-expansion), but different action tendencies accounted for these links. While our emotion inductions did not successfully distinguish between admiration and adoration, we could statistically disentangle their effects through mediator models. In both studies, self-reported admiration linked to self-expansion through the tendency to emulate admired others. Adoration related to self-expansion through the tendency to affiliate with adored others. These findings were obtained after controlling for other emotions in response to the target person (awe, love, hope, benign envy) and mutuality of the relationship. Our findings also suggest that considering specific emotions (rather than undifferentiated positive affect) helps uncover different pathways to self-expansion.     

“There Must be Mouse Dirt with the Pepper”: A Lutheran Approach to Choosing Songs1

Abstract : This paper stems from my doctoral research on the question, “What is a good song?” It is a response to the Praise and Worship movement, which started within the charismatic churches, but also has spread to many mainline churches, including my own in South Africa. While I am supportive of much that is good in this movement, I am also critical of the content and theology of many of the songs. This paper focuses on what we as Lutherans can learn from our founder when it comes to choosing what and how to sing in our services.     

Sacred mountains and beloved fetuses: can loving or worshipping something give it moral status?

Part One addresses the question whether the fact that some persons love something, worship it, or deeply care about it, can endow moral status on that thing. I argue that the answer is “no.” While some cases lend great plausibility to the view that love or worship can endow moral status, there are other cases in which love or worship clearly fails to endow moral status. Furthermore, there is no principled way to distinguish these two types of cases, so we must conclude that love or worship never endow moral status. Part Two takes up the hard question of why we have to be careful of things that others love or worship, given that the things do not thereby have moral status. I argue that it is sometimes bad for those who love or worship the things if we mistreat them. I develop an account of when love and worship, and person projects more generally, succeed in expanding the scope of what counts as good or bad for the person engaged in the project.