Love Incessantly Flows: Mae Naak,a New Asian Opera Heroine Born out of a Thai Buddhist Narrative

The folklore of Nak (Naak) or ‘Mae Nak Phrakhanong’ (Mother Nak of Phrakhanong District) permeates Thailand as the most popular story of a ghostly haunting. The story, originating in the nineteenth century, has been made into a plethora of versions including more than 20 film adaptations. My research focuses on the 2003 opera Mae Naak composed by Somtow Sucharitkul. The opera contains idiosyncratic traits different from other versions, which reflect Thais’ multiple feelings of horror, veneration and affection to Nak. Somtow creates a new Asian heroine in opera, who bears powerful emotions of love and desire to live, unlike the stereotype such as Madama Butterfly. The conclusion, however, does not define the emotional aspect of the story as merely the ignorance of impermanence and attachment. Instead, the narrative helps each individual to concretise and personalise the more abstract concepts of Buddhism. The opera depicts true love that continues through rebirths with her beloved in a karmic journey.     

Towards a queer dharmology of sex

Lay practitioners of Buddhism, especially lesbian/gay/bisexual/transgender/queer persons, are given little guidance by the traditional Dharmology (Buddhist theology) of sex. The most extensive discussions are the detailed prohibitions in the monastic rule, which focus on the mechanics of sex rather than on love and relationships. What advice there is on sex for lay persons is either vague or over‐determined by its cultural context. Christianity, despite being homophobic and mistrustful of sex, has developed a positive attitude towards sex within heterosexual marriage. An investigation of this suggests a Dharmology of sex as relationship, based on central Buddhist doctrines such as interdependent arising. This Dharmology can be strengthened by queering it with reference to Harry Hay's notion that gay subject–subject consciousness is more compatible with Buddhist non‐duality than the hetero subject–object consciousness. It can be claimed, therefore, that Buddha Nature, and Buddhism itself, is queer.