Part-Time Disabled Lesbian Passing on Roller Blades,or PMS,Prozac, and Essentializing Women's Ailments

Abstract

This paper discusses the role of the medical and psychiatric systems, as well as the pharmaceutical industry, in the social construction of women's hormonally-related ailments and their treatments. For some marginalised groups, passing as “normal” is a protection strategy against discrimination and maltreatment. Lesbians and invisibly disabled persons are examples of such groups. Given that the reproductive cycle and madness have been linked historically, women suffering from disabling cyclical conditions might also be stigmatised. In this context, the dilemma between seeking treatment versus being labelled psychologically ill is expounded.     

Views On Happiness In The Television Series <Emphasis Type="Italic">Ally Mcbeal</Emphasis>: The Philosophy Of David E Kelley

This article contributes to our understanding of popular thinking about happiness by exploring the work of David E Kelley, the creator of the television program Ally McBeal and an important philosopher of happiness. Kelley's major points are as follows. He is more ambivalent than is generally the case in popular philosophy about many of the traditional sources of happiness. In regard to the maxim that money can't buy happiness he gives space to characters who assert that there is a relationship between material comfort and happiness, as well as to those that claim the opposite position. He is similarly ambivalent about the relationship between loving relationships and happiness; and friendships and happiness. In relation to these points Kelley is surprisingly principled in citing the sources that he draws upon in his thinking (through intertextual references to genres and texts that have explored these points before him). His most original and interesting contributions to popular discussions of the nature of happiness are twofold. The first is his suggestion that there is a lot to be said for false consciousness. He presents situations where characters choose wilfully to ignore reality and instead to live in fantasy worlds where they are happy. Rather than condemning such behaviour, Kelley presents it as understandable, attractive and perhaps even heroic. The second is his proposal that happiness should be seen as an effect of bodily performance rather than an expression of the authentic inner self -- if one forces oneself to smile, happiness may follow. Ultimately Ally McBeal presents a multifaceted popular account of the nature of happiness, where the various positions explored cannot all be reconciled; and where ironic ambivalence is the key tone.