Variability in photos of the same face

Psychological studies of face recognition have typically ignored within-person variation in appearance, instead emphasising differences between individuals. Studies typically assume that a photograph adequately captures a person’s appearance, and for that reason most studies use just one, or a small number of photos per person. Here we show that photographs are not consistent indicators of facial appearance because they are blind to within-person variability. Crucially, this within-person variability is often very large compared to the differences between people. To investigate variability in photos of the same face, we collected images from the internet to sample a realistic range for each individual. In Experiments 1 and 2, unfamiliar viewers perceived images of the same person as being different individuals, while familiar viewers perfectly identified the same photos. In Experiment 3, multiple photographs of any individual formed a continuum of good to bad likeness, which was highly sensitive to familiarity. Finally, in Experiment 4, we found that within-person variability exceeded between-person variability in attractiveness. These observations are critical to our understanding of face processing, because they suggest that a key component of face processing has been ignored. As well as its theoretical significance, this scale of variability has important practical implications. For example, our findings suggest that face photographs are unsuitable as proof of identity.     

“Using New Eyes”: Photography as a Spiritual Practice for Faith Formation and Worship

This article presents three cases of how Lutheran groups used photography as a spiritual practice in processes that led to group spiritual reflection for faith formation and worship: a photography club; a Photography as a Spiritual Practice mini‐course in a parish; and a six‐month parish project of communal art‐making of liturgical media art for one church's Easter Vigil readings.     

Picturing the Wheatbelt: Exploring and Expressing Place Identity Through Photography

Community arts and cultural development is a process that builds on and responds to the aspirations and needs of communities through creative means. It is participatory and inclusive, and uses multiple modes of representation to produce local knowledge. ‘Voices’ used photography and photo elicitation as the medium for exploring and expressing sense of place among Aboriginal and non‐Indigenous children, young people and adults in four rural towns. An analysis of data generated by the project shows the diverse images that people chose to capture and the different meanings they afforded to their pictures. These meanings reflected individual and collective constructions of place, based on positive experiences and emotions tied to the natural environment and features of the built environment. We discuss community arts and cultural development practice with reference to creative visual methodologies and suggest that it is an approach that can contribute to community psychology’s empowerment agenda.