How Does It Feel to Be a Star?

Over the past three decades, research on the social dimensions of emotions has grown exponentially, particularly in the area of “emotion management.” In this project, we will attempt to add to this body of research by studying the social aspects of labeling or “instantiating” feelings. The data for the project come from televised red-carpet interviews conducted with celebrities immediately prior to awards ceremonies. By focusing on the generic aspects of the emotional claims-making put forth by interviewers and interviewees, we demonstrate how the labeling of emotions is an interpretive, interactive task.

Sophistry In and As Its Course

Although sophistry has been characterized as separable from real philosophy, formal analysis does not work without it and one cannot always identify just where philosophy leaves off and sophistry begins. Whether sophistry offers anything to thinking reason has to do with what parties in dialogue do with sophistries. Sophistries can close down or open up philosophical perspectives, depending on the local work that sophistic strategies accomplish. Such local work of philosophers is rarely available to analyses of docile texts, but they can be furthered by ethnomethodological studies of illustrative philosophical argumentation presented and analyzed in videotaped format.

The Phenomenal Field: Ethnomethodological Perspectives on Collective Phenomena

The aim of my paper is twofold. First, I show how the notion of phenomenal field can be used to examine, describe and understand particular collective patterns pertaining to the everyday domain of our common social experience. Secondly, I outline the role of the notion of “phenomenal field” in ethnomethodology. I briefly discuss Gurwitsch’s notion of functional meaning. After presenting the argument, I show “the locally achieved ordinariness of a common task”, that is the lining up of the player of the two teams in the pitch, as an embodied coherence of figural contexture in its empirical perceptual details, as Garfinkel says.

Video Recording Practices and the Reflexive Constitution of the Interactional Order: Some Systematic Uses of the Split-Screen Technique

In this paper, I deal with video data not as a transparent window on social interaction but as a situated product of video practices. This perspective invites an analysis of the practices of video-making, considering them as having a configuring impact on both on the way in which social interaction is documented and the way in which it is locally interpreted by video-makers. These situated interpretations and online analyses reflexively shape not only the record they produce but also the interactional order itself as it is documented. Dealing with practices of video-making not as a resource but as a topic, I explore a particular editing practice, the use of the split-screen technique, consisting in combining various camera views within the same image. This technique is now widely used in cinema, professional settings, TV, and social research. I focus on its uses in TV talk shows and debates: through a systematic sequential analysis of the positions where split screen is introduced, I show that directors do orient to the sequential features of interaction in using this technique and that, conversely, their uses of split screen reveal their local understanding—and configuring—of what the interactional dimension of debates and interviews consist of, for all practical purposes.

The Practical Work of <Coding>: An Ethnomethodological Inquiry

While previous methodological studies have suggested that coding is a useful technique for analyzing qualitative data, there is a stark lack of discussion about the incongruities that inevitably arise as researchers accomplish the actual work of coding. This article explores the complexities of the coding process, and how incongruities get resolved as researchers accomplish the practical work of coding. Three primary themes emerged from this study: <creating agreement>, <maintaining the integrity of the codes>, and <completing the work>. These three activities are grounded in the naturally evolving work of coding, and are rendered visible through an ethnomethodological investigation into this work.     

Kitzinger’s Feminist Conversation Analysis: Critical Observations

This paper contributes to ongoing discussions on feminism and the analysis of discourse. In particular, I examine Celia Kitzinger’s [(2000), Doing feminist conversation analysis. Feminism and Psychology, 10, 163–193 and (2002) Doing feminist conversation analysis. In P. McIlvenny (Ed.), Talking gender and sexuality. Amsterdam: John Benjamins Publishing Company.] claims to be engaged in “feminist conversation analysis.” This paper identifies susceptibilities in her arguments at both the theoretical level and the level of data analysis. My argument is that Kitzinger fails to appreciate the fact that her enterprise is basically a formal analytic one and that as such it is both radically different from, and incommensurate with, ethnomethodology (EM) and conversation analysis (CA). Indeed her attempts to supplement feminism with EM/CA are unnecessary and counterproductive from an EM/CA position insofar as they crucially undermine its integrity.